"The eagle and the dove" is a phrase employed today to illustrate the law of antithesis, and it is more than probable that the eagle represented the lower nature of the sex-relation, in juxtaposition to the higher, as the dove is emblematical of the spiritualized aspect of sex-love. We have an analogy to that of the eagle and the dove in the Biblical allusion to "the last day; when God will separate the 'sheep from the goats,'" Here again is a pertinent reference to the sex nature. The goat is a symbol of sensuality and lust, principally because he has perverted sexual proclivities, notably that of coercion. For this reason, Classical Mythology employs the satyr, a creature half man and half goat, to typify the lowest form of the sex call in man. On the other hand, the lamb is the type of gentleness and affection, and although in outward appearance the lamb and the goat are not dissimilar, their natures are antithetical. In estimating the God-idea of the Ancients, many mistakes have arisen by confounding religious symbols with the "sacred" symbols. The race-mind was in its kindergarten stage, and all ideals were instilled by means of pictures--a method which even the present hour finds most effective. In modern theological symbolism we have God and the Devil; Heaven and Hell; angels and demons, to illustrate by antithesis. They all belong to religious symbology, but only those which teach spiritual ideals are denominated "sacred." "Riding the goat," alleged to be the almost invariable initiatory prelude to fitness for membership in all secret orders, means, first of all, that the would-be initiate must have control over his lower sexual desires. If he cannot control the goat instincts within his nature, he stands small chance of taking the higher degrees of spiritual regeneration, through transmutation. In another symbolic chart presenting the secrets of alchemical transmutation, we find depicted "The Gate of Eternal Wisdom," and we are further informed that this "gate" also brings "knowledge of God." The design of this cave-like aperture should betray its esoteric meaning. It is situated under a mound, upon which trees are planted. The inscriptions on the corrugated walls of the cave, are evidently designed to resemble seven lotus petals, and are set forth as the seven mysteries. Inscriptions warning against profanation of this sacred gate, and also promising eternal life and glory to the true initiate, inspire the intrepid and deter the doubtful. Of these latter, several are outside the entrance. Two are on the steps leading to the mouth of the cave but their attitude bespeaks doubt of their worthiness. Only one has penetrated to the radiant center of the aperture, and there is room for but the one to enter the radiance of the solar gate, which truly bestows a knowledge that is "of God."