Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
This series presents the emotional history of the delightful Claudine
between the ages of fifteen and thirty, and incidentally incorporates
the authors’ opinions upon many sorts of sexual relation. Claudine
appears first as a day pupil in a provincial public school somewhere in
the mountainous _départements_ of southern France. Motherless, she is
brought up after a fashion by a father so absorbed in his studies as to
approach a caricature of the absent-minded professor, and by a
free-tongued servant comparable to Proust’s Françoise. She grows up a
tomboy, free to climb trees, to roam alone over the wooded hills about
her small town, and to read at will in her father’s uncensored library.
Her emotional development begins with an attraction appropriate to her
years (fifteen) but uncommonly intense, to a pretty assistant mistress,
Mademoiselle Aimée. With Claudine’s wily arrangement to be tutored in
English at home, this affair promises to develop richly, but it is
interrupted when the headmistress, a domineering redhead, also contracts
a passion for her assistant. Knowing on which side her bread is
buttered, Aimée abandons Claudine, to become the pampered darling of her
superior. Two or three of the “big girls” understand perfectly what is
going on, and Claudine even eavesdrops one day upon an intimate moment
enjoyed by the two women in their dormitory quarters while their classes
run wild in the schoolrooms below. Later, the headmistress implies to
Claudine that had she not from the outset shown antagonism, her
affection might have been bestowed on her rather than on the somewhat
insipid junior mistress.
In the course of the year, Claudine discovers that she is becoming
attractive to men, notably the school’s visiting physician, a “wolf” at
whom she laughs although he has an irritating power to move her. He uses
his political influence to the end of enjoying Aimée’s favors, an affair
to which the older mistress appears indifferent, her jealousy being
reserved for feminine rivals. A second diversion develops when Aimée’s
young sister, Luce, enters at mid-term as a charity pupil and is badly
neglected by the two mistresses. A year Claudine’s junior, this thin
green-eyed youngster becomes her adoring slave, constantly manoeuvering
for caresses, but receiving only blows, which she appears to find almost
as satisfying. To herself, Claudine admits that, were the girl anyone
but a sister to the fickle Aimée, the affair might go farther.
At the graduation dance—a neat bit of satire on provincial
entertainment—Claudine is much sought after by local and visiting
swains, and analyzes afterward why she found their attentions so
unsatisfactory. She contemplates what she wants of love:
I terribly needed Someone, and was humiliated by this lack, and
because I could not give anything to anyone I did not love and know
through and through—a dream which will never come true, eh?[1]
Public-domain text, read in full here on John Shaqi.
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