Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
Clara put her hands to her eyes as though to shut out the scene in
the room. “If I could have been with Kate this evening I could have
come to a man believing in the possible sweetness of marriage,” she
thought.[40]
In the end, however, her marriage proves no worse than the average in
understanding and happiness. There have been few such sympathetic and
unexaggerated pictures of a variant woman in our literature; and none of
the others was written by a man.
The year’s total balance of sentiment was evened by James Gibbons
Huneker’s _Painted Veils_. This picture of musical and literary New York
was so continental in its cynical frankness that it was first issued
privately, though it soon found regular publication and is now available
in paper covers. As its epilogue states, its hero Ulick is a young man
whose favorite authors are Thomas à Kempis and Petronius, and whose
experience reflects this duality of taste. Heroine of the Petronian
chapters is a dynamic girl, Easter, who rises by her own efforts—in more
fields than one—to the status of world-famed prima donna. Early in her
career she considers sources of revenue for European study. To accept
support from her lover would give the man too much claim upon her. So
her thoughts turn to a fellow student of voice, a dilettante with whom
already “an intimacy had developed.”
She began thinking of Allie Wentworth and her set. Allie was an
heiress ... a masculine creature who affected a mannish cut of
clothes. She wore her hair closely cut and sported a walking stick.
Her stride and bearing intrigued [Easter], who had never seen that
sort before.... Allie was always hugging her when alone.[41]
Although Allie makes relatively few appearances, it is clear that she
financed and accompanied Easter for a number of years. It is also
implied that the cause of Easter’s duel with Mary Garden in Paris was
not, as the newspapers claimed, a man. “When Allie Wentworth, who was
Easter’s second, read this in _Le Soir_ she burst into laughter.” (When
the book appeared, gossip claimed that Mary Garden was the model for
Easter, and that this duel naming her as opposite was inserted for
camouflage.)
Upon Easter’s return to New York she says to Ulick, who is jealous of
Allie:
That girl helped me over some rough places in Europe. I shall never
give her up, never.... I love sumptuous characters. That’s why I love
to read _Mlle Maupin_. Also about that perverse puss Satin in _Nana_.
She reminds me of Allie and her pranks—simply adorable, I tell you!
Toujours fidèle.[42]
Later, Easter, now the pursuer because Ulick has turned cool, follows
him to the apartment of his current mistress, a vulgar little creature
who is transported at
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