Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
_Mlle Giraud_ follows the course of a man’s marriage to a girl who
stubbornly refuses to consummate the union. Adrien has been warned
against marrying Paule by a young matron of his acquaintance, but since
Mme. Blangy will give him no reason for her warning, he ignores it.
After several months he suspects this woman, still his wife’s
inseparable companion, of being a blind for some illicit affair of
Paule’s. He tracks the two to an apartment which he examines in their
absence and finds to be a lush love-nest, with some details reminiscent
of the boudoir of the _Girl with the Golden Eyes_. Among other things,
he finds there that volume, along with Diderot’s _La Religieuse_,
Gautier’s _Maupin_, and “Feydeau’s latest, _La Comtesse de Chalis_.”
Adrien’s life as a civil engineer has kept him out of Paris for some
years and left him so unaware of homosexuality among respectable women
that none of these suggestive details arouses his suspicion. It is only
upon his meeting M. Blangy, separated for several years from his wife,
that Adrien learns of the lesbian relationship between the two women.
The two husbands institute a joint campaign to separate their wives, but
it is too late. For the few months Adrien has spent in travel to escape
insupportable domestic tension, Paule has been free for the first time
in her life to indulge her tastes as freely as she likes, and her health
has been gravely affected. During the collapse which follows upon
Adrien’s taking her to North Africa, Paule cries out one day against the
wickedness of segregation in boarding schools where loneliness drives
girls to emotional dependence upon their own sex. ‘I believe it is not
so often men who ruin women,’ she says. ‘It is women who ruin each
other.’[2]
At this her husband begins to regard her as morally ill rather than
depraved, and his new sympathy brings her to the verge of normal passion
for him. But at this crucial moment, Paule’s recapture by Mme. Blangy
destroys all possibility of subsequent adjustment. The conflict ends
with Paule’s complete subjection by her lesbian friend and her death
from meningitis, supposedly the direct result of sexual excess. Adrien,
learning later that Mme. Blangy has begun the conquest of another girl,
manages under the guise of accident to drown the seductress. M. Blangy,
who guesses the truth, tells him he has done the world a service in
removing “cette reptile,” and the author leaves little doubt that he
himself agrees.
Public-domain text, read in full here on John Shaqi.
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