A comprehensive view of Falstaff--a view that includes the afflicting
circumstances of his humiliation and of his forlorn and pathetic death
not less than the roistering frolics and jocund mendacity of his life
and character--is essential to a right appreciation of the meaning of
him. Shakespeare is never a prosy moralist, but he constantly teaches
you, if you have eyes to see and ears to hear, that the moral law of the
universe, working continually for goodness and not for evil, operates in
an inexorable manner. Yet it is not of any moral consideration that the
spectator of Falstaff upon the stage ever pauses to think. It is the
humour of the fat knight that is perceived, and that alone. The
thoughtful friends of Falstaff, however, see more in him than this, and
especially they like not to think of him in a deplorable predicament.
The Falstaff of _The Merry Wives_ is a man to laugh at; but he is not a
man to inspire the comrade feeling, and still less is he a man to
impress the intellect with the sense of a stalwart character and of
illimitable jocund humour. Falstaff's friends--whose hearts are full of
kindness for the old reprobate--have sat with him "in my Dolphin
chamber, at the round table, by a sea-coal fire," and "have heard the
chimes at midnight" in his society, and they know what a jovial
companion he is--how abundant in knowledge of the world; how radiant
with animal spirits; how completely inexhaustible in cheerfulness; how
copious in comic invective; how incessantly nimble and ludicrous in wit
and in waggery; how strange a compound of mind and sensuality,
shrewdness and folly, fidelity and roguery, brazen mendacity, and comic
selfishness! They do not like to think of him as merely a fat old fool,
bamboozled by a pair of sprightly, not over-delicate women, far inferior
to him in mental calibre, and made a laughing-stock for Fenton and sweet
Anne Page, and the lads and lassies of Windsor, and the chattering Welsh
parson. "Have I lived," cried Falstaff, in the moment of his
discomfiture, "to stand at the taunt of one that makes fritters of
English?" He is a hard case, an inveterate sinner, as worthless as any
man well could be, in the eyes of decorum and respectability; but those
who know him well grow to be fond of him, even if they feel that they
ought to be ashamed of it, and they do not quite forgive the poet for
making him contemptible.
Public-domain text, read in full here on John Shaqi.
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