Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“About the border, in a curious fret,
Emblems, impressas, hieroglyphics set.”
There is, however, no occasion to pursue any further this branch of our
theme, except it may be by a short continuation or extension of our
Period of time, to show how Milton’s greater Epic most curiously
corresponds with the title-page of a Dutch Emblem-book, which appeared
in 1642, several years before _Paradise Lost_ was written. (See Plate
X.) The book is, _Jan Vander Veens Zinne-beelden, oft Adams
Appel_,—“John Vander Veen’s Emblems, or Adam’s Apple,”—presenting some
Dutch doggerel lines, of which this English doggerel contains the
meaning,—
“When wounded Adam lay from the sin and the fall,
Out of the accursed wound flowed corruption and gall;
Hence is all wickedness and evil bred,
As here in print ye see the Devil fashioned.”
And again,—
“Out of Adam’s Apple springs
Misery, Sin, and deadly things.”
Singularly like to Milton’s Introduction (bk. i. lines 1–4),—
“Of Man’s first disobedience, and the fruit
Of that forbidden tree, whose mortal taste
Brought death into the world, and all our woe,
With loss of Eden.”
_Plate 10_
IAN VANDER VEENS
ZINNE-BEELDEN,
OFT
ADAMS APPEL.
Verciert met ſeer aerdige Conſt-Plaeten
Meſgaders
Syne oude ende nieuwe ongemeene Bruyde-lofs ende Zege-zangen.
t’AMSTERDAM
BY EVERHARD CLOPPENBURGH, Boeck vercooper op’t Water 1642
[Illustration: _Title of “Adam’s Appel” Vander Veen 1642_]
_Plate 11_
_Lapsus diaboli._
CAP. III.
_LAPSVS SATANÆ._
_Cœlestes Genios perfecta luce creatos
Peccatum horrendo perdidit exitio.
Sub Phlegethonte Satan Cocyti mergitur undis:
Pœna eadem reliquis addita dœmonibus._
[Illustration: _Fall of Satan from Boissard’s “Theatrum Vitæ Humanæ,”
1596_]
With equal singularity appears in Boissard’s _Theatrum Vitæ
Humanæ_,—“Theatre of Human Life,”—edition Metz, 1596, p. 19, the
coincidence with Milton’s Fall of the rebel Angels. We have here
pictured and described the Fall of Satan (see Plate XI.) almost as in
modern days Turner depicted it, and as Milton has narrated the terrible
overthrow (_Paradise Lost_, bk. vi.), when they were pursued
Public-domain text, read in full here on John Shaqi.
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