Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
No more needs be said respecting the knowledge of Emblem-books in
Britain, unless it be to give the remarks of Tod, the learned editor of
Spenser’s works, edition 1845, p. x. “_The Visions_ are little things,
done probably when Spenser was _young_, according to the taste of the
times for Emblems.[83] The _Theatre of Wordlings_, I must add, evidently
presents a series of Emblems.”
II. We will now state some of the general indications that Shakespeare
was acquainted with Emblem-books, or at least had imbibed “the taste of
the times.”
Here and there in Shakespeare’s works, even from the way in which
sayings and mottoes, in Spanish, as well as in French and Latin, are
employed, we have indications that he had seen and, it may be, had
studied some of the Emblem-writers of his day, and participated of their
spirit. Thus Falstaff’s friend, the ancient Pistol, _2 Henry IV._ act.
ii. sc. 4, l. 165, vol. iv. p. 405, quotes the doggerel line, as given
in the note, _Si fortuna me tormenta, il sperare me contenta_,—“If
fortune torments me, hope contents me,”—which doubtless was the motto on
his sword, which he immediately lays down. As quoted, the line is
Spanish; a slight alteration would make it Italian; but Douce’s
conjecture appears well founded, that as Pistol was preparing to lay
aside his sword, he read off the motto which was upon it. Such mottoes
were common as inscriptions upon swords; and Douce, vol. i. pp. 452, 3,
gives the drawing of one with the French line, “Si fortune me tourmente,
L’esperance me contente.”
[Illustration: _Douce, 1807._]
He gives it, too, as a fact, that “Haniball Gonsaga being in the
low-countries overthrowne from his horse by an English captaine and
commanded to yeeld himselfe prisoner, _kist his sword_, and gave it to
the Englishman, saying, ‘_Si fortuna me tormenta, il speranza me
contenta_.’” Allow that Shakespeare served in the Netherlands, and we
may readily suppose that he had heard the motto from the very Englishman
to whom Gonsaga had surrendered.
The Clown in _Twelfth Night_, act. i. sc. 5, l. 50, vol. iii. p. 234,
replies to the Lady Olivia ordering him as a fool to be taken
away,—“Misprision in the highest degree! Lady, _cucullus non facit
monachum_, [—it is not the hood that makes the monk,]—that’s as much to
say as I wear not motley in my brain.” The saying is one which might
appropriately adorn any Emblem-book of the day;—and the motley-wear
receives a good illustration from a corresponding expression in Whitney,
p. 81:
“The little childe, is pleas’de with cockhorse gaie,
Although he aske a courser of the beste:
The ideot likes, with bables for to plaie,
And is disgrac’de when he is brauelie dreste:
A motley coate, a cockescombe, or a bell,
Hee better likes, than Jewelles that excell.”
Public-domain text, read in full here on John Shaqi.
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