Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“The fire seven times tried this:
Seven times tried that judgment is,
That did never choose amiss.
Some there be that shadows kiss;
Such have but a shadow’s bliss:
There be fools alive, I wis,
Silver’d o’er; and so was this.
Take what wife you will to bed,
I will ever be your head:
So be gone: you are sped.”
Act ii. sc. 9, lines 63–72.
These Emblems of Shakespeare’s are therefore complete in all their
parts; the mottoes, the pictures, “a carrion Death” and “a blinking
idiot,” and the descriptive verses.
Coſi viuo Piacer conduce à morte.
[Illustration: _Paradin, 1562._]
The words of Portia (act. ii. sc. 9, l. 79, vol. ii. p. 319), when the
Prince of Arragon says,—
“Sweet adieu, I’ll keep my oath,
Patiently to bear my wroth;”
are moreover a direct reference to the Emblems which occur in various
authors. _Les Devises Heroiqves_, by Claude Paradin, Antwerp, 1562,
contains the adjoining Emblem, _Too lively a pleasure conducts to
death_.
And Giles Corrozet in his “HECATOMGRAPHIE, C’est à dire, les
descriptions de cent figures, &c.,”[91] adopting the motto, _War is
sweet only to the inexperienced_, presents, in illustration, a butterfly
fluttering towards a candle.
La guerre doulce aux inexperimentez.
[Illustration: _Corrozet, 1540._]
Les Papillons ſe vont bruſler
A la chandelle qui reluyct.
Tel veult à la bataill[e/] aller
Qui ne ſcaict combien guerre nuyct.
“The Butterflies themselves are about to burn,
In the candle which still shines on and warms;
Such foolish, wish to battle fields to turn,
Who know not of the war, how much it harms.”
This device, in fact, was one extremely popular with the Emblem
literati. Boissard and Messin’s _Emblems_, 1588, pp. 58, 59, present
it to the mottoes, “Temerité dangereuse,” or _Temere ac
Pericvlose_,—“rashly and dangerously.” Joachim Camerarius, in his
Emblems _Ex Volatilibus et Insectis_ (Nuremberg, 4to, 1596), uses it,
with the motto, _Brevis et damnosa Voluptas_—“A short and destructive
pleasure,”—and fortifies himself in adopting it by no less authorities
than Æschylus and Aristotle. _Emblemes of Love, with Verses in Latin,
English, and Italian_, by Otho Vænius, 4to, Antwerp, 1608, present
Cupid to us, at p. 102, as watching the moths and the flames with
great earnestness, the mottoes being, _Brevis et damnosa
voluptas_,—“For one pleasure a thousand paynes,”—and _Breue
gioia_,—“Brief the gladness.”
There is, too, on the same subject, the elegant device which Symeoni
gives at p. 25 of his “DISTICHI MORALI,” and which we repeat on the next
page.
Public-domain text, read in full here on John Shaqi.
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