Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
Then suddenly there comes a gush of feeling, and with most exquisite
tenderness he adds,—
“Come, thou new ruin of old Clifford’s house:
As did Æneas old Anchises bear,
So bear I thee upon my manly shoulders:
But then Æneas bare a living load,
Nothing so heavy as these woes of mine.”
The same allusion, in _Julius Cæsar_ (act. i. sc. 2, l. 107, vol. vii.
p. 326), is also made by Cassius, when he compares his own natural
powers with those of Cæsar, and describes their stout contest in
stemming “the troubled Tyber,”—
“The torrent roar’d, and we did buffet it
With lusty sinews, throwing it aside
And stemming it with hearts of controversy;
But ere he could arrive the point proposed,
Cæsar cried, ‘Help me, Cassius, or I sink!’
I, as Æneas our great ancestor
Did from the flames of Troy upon his shoulder
The old Anchises bear, so from the waves of Tiber
Did I the tired Cæsar: and this man
Is now become a god, and Cassius is
A wretched creature, and must bend his body
If Cæsar carelessly but nod on him.”
[Illustration: _Aneau, 1552._]
Progne, or Procne, Medeia’s counterpart for cruelty, who placed the
flesh of her own son Itys before his father Tereus, is represented in
Aneau’s “PICTA POESIS,” ed. 1552, p. 73, with a Latin stanza of ten
lines, and the motto, “IMPOTENTIS VINDICTÆ FOEMINA,”—_The Woman of
furious Vengeance._ In the _Titus Andronicus_ (act. v. sc. 2, l. 192,
vol. vi. p. 522) the fearful tale of Progne enters into the plot, and a
similar revenge is repeated. The two sons of the empress, Chiron and
Demetrius, who had committed atrocious crimes against Lavinia the
daughter of Titus, are bound, and preparations are made to inflict such
punishment as the world’s history had but once before heard of. Titus
declares he will bid their empress mother, “like to the earth swallow
her own increase.”
“This is the feast that I have bid her to,
And this the banquet she shall surfeit on;
For worse than Philomel you used my daughter,
And worse than Progne I will be revenged.”
’Tis a fearful scene, and the father calls,—
“And now prepare your throats. Lavinia, come,
[_He cuts their throats._
Receive the blood: and when that they are dead,
Let me go grind their bones to powder small,
And with this hateful liquor temper it;
And in that paste let their vile heads be baked.
Come, come, be every one officious
To make this banquet; which I wish may prove
More stern and bloody than the Centaurs’ feast.”
Public-domain text, read in full here on John Shaqi.
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