Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“My Lady Bona of Savoy,” as Paradin (ed. 1562, fol. 165) names her,
“the mother of Ian Galeaz, Duke of Milan, finding herself a widow, made
a device on her small coins of a Phœnix in the midst of a fire, with
these words, ‘Being made lonely, I follow God alone.’ Wishing to signify
that, as there is in the world but one Phœnix, even so being left by
herself, she wished only to love conformably to the only God, in order
to live eternally.”[125]
The “TETRASTICHI MORALI” presents the same Emblem, as indeed do Giovio’s
“DIALOGO DELL’ IMPRESE,” &c., ed. Lyons, 1574, and “DIALOGVE DES
DEVISES,” &c., ed. Lyons, 1561;
_DI MADAMA BONA_
DI SAVIOA.
[Illustration: _Giovio, 1574 (diminished)._]
with the same motto, and the invariable Italian Quatrain,—
Sola facta solũ
Deũ sequor.
_Perduto ch’ hebbe il fido ſuo conſorte
La nobil Donna, qual Fenice ſola,
A Dio volſe ogni priego, ogni parola,
Dando vita al penſier con l’ altrui morte._
In English,—
“Lost had she her faithful consort,
The noble Lady, as a Phœnix lonely,
To God wills every prayer, every word
Giving life to consider death with others.”
The full description and characteristics of the Phœnix we reserve for
the section which treats of Emblems for Poetic Ideas; but the
loneliness, or if I may use the term, the oneliness of this fabulous
bird Shakespeare occasionally dwells upon.
In the _Cymbeline_ (act i. sc. 6, l. 12, vol. ix. p. 183), Posthumus and
Iachimo had made a wager as to the superior qualities and beauties of
their respective ladies, and Iachimo takes from Leonatus an introduction
to Imogen; the Dialogue thus proceeds,—
“_Iach._ The worthy Leonatus is in safety,
And greets your highness dearly. @span 6: [_Presents a letter._@
_Imo._ Thanks, good sir:
You're kindly welcome.
_Iach._ [_Aside._] All of her that is out of door most rich!
If she be furnish’d with a mind so rare,
She is alone the Arabian bird, and I
Have lost the wager.”
Rosalind, in _As You Like It_ (act iv. sc. 3, l. 15, vol. ii. p. 442),
thus speaks of the letter which Phebe, the shepherdess, had sent her,—
“She says I am not fair, that I lack manners;
She calls me proud, and that she could not love me,
Were man as rare as phœnix.”
The oneliness of the bird is, too, well set forth in the _Tempest_ (act
iii. sc. 3, l. 22, vol. i. p. 50),—
“In Arabia
There is one tree, the phœnix' throne; one phœnix
At this hour reigning there.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account