Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“The Foxe, that longe for grapes did leape in vayne,
With wearie limmes, at lengthe did sad departe:
And to him selfe quoth hee, I doe disdayne
These grapes I see, bicause their taste is tarte:
So thou, that hunt’st for that thou longe hast mist,
Still makes thy boast, thou maist if that thou list.”
Plantin, the famed printer of Antwerp, had, in 1583, put forth an
edition of Faerni’s fables,[144] and thus undoubtedly it was that
Whitney became acquainted with them; and from the intercourse then
existing between Antwerp and London it would be strange if a copy had
not fallen into Shakespeare’s hands.
Owing to some malady, the King of France, in _All’s Well that Ends Well_
(act ii. sc. 1, l. 59, vol. iii. p. 133), is unable to go forth to the
Florentine war with those whom he charges to be “the sons of worthy
Frenchmen.” Lafeu, an old lord, has learned from Helena some method of
cure, and brings the tidings to the king, and kneeling before him is
bidden to rise,—
“_King._ I’ll fee thee to stand up.
_Laf._ Then here’s a man stands, that has brought his pardon.
I would you had kneel’d, my lord, to ask me mercy;
And that at my bidding you could so stand up.
_King._ I would I had; so I had broke thy pate,
And ask’d thee mercy for’t.
_Laf._ Good faith, across: but, my good lord, ’tis thus;
Will you be cured of your infirmity?
_King._ No.
_Laf._ O, will you eat no grapes, my royal fox?
Yes, but you will my noble grapes, an if
My royal fox could reach them: I have seen a medicine
That’s able to breathe life into a stone,
Quicken a rock, and make you dance canary
With spritely fire and motion.”
The fox, indeed, has always been a popular animal, and is the subject of
many fables which are glanced at by Shakespeare;—as in the _Two
Gentlemen of Verona_ (act iv. sc. 4, l. 87, vol. i. p. 143), when Julia
exclaims,—
“Alas, poor Proteus! thou hast entertained
A fox to be the shepherd of thy lambs.”
Or in _2 Henry VI._ (act iii. sc. 1, l. 55, vol. v. p. 153), where
Suffolk warns the king of “the bedlam brain-sick duchess” of
Gloucester,—
“Smooth runs the water where the brook is deep.”
“The fox barks not when he would steal the lamb.”
And again, in _3 Henry VI._ (act iv. sc. 7, l. 24, vol. v. p. 312), the
cunning creature is praised by Gloucester in an “_aside_,”—
“But when the fox hath once got in his nose,
He’ll soon find means to make the body follow.”
The bird in borrowed plumes, or the Jackdaw dressed out in Peacock’s
feathers, was presented, in 1596, on a simple device, not necessary to
be produced, with the motto, “QVOD SIS ESSE VELIS,”—_Be willing to be
what thou art._
“_Mutatis de te narratur fabula verbis,
Qui ferre alterius parta labore ſtudes._”
[Sidenote: _i.e._]
Public-domain text, read in full here on John Shaqi.
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