Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
We have, too, in _Coriolanus_ (act v. sc. 2, l. 102, vol. vi. p. 403)
the lines, “The worthy fellow is our general: He is the rock; the oak
not to be wind shaken.”
This phrase is to be exampled from Otho Vænius (p. 116), where occur the
English motto and stanza, “Strengthened by trauaile,”—
“Eu’n as the stately oke whome forcefull wyndes do moue,
Doth fasten more his root the more the tempest blowes,
Against disastres loue or firmness greater growes,
And makes each aduers change a witness to his loue.”
In several instances it is difficult to determine whether expressions
which have the appearance of glancing at fables really do refer to them,
or whether they are current sayings, passing to and fro without any
defined ownership. Also it is difficult to make an exact classification
of what belongs to the fabulous and what to the proverbial. Of both we
might collect many more examples than those which we bring forward; but
the limits of our subject remind us that we must, as a general rule,
confine our researches and illustrations to the Emblem writers
themselves. We take this opportunity of saying that we may have arranged
our instances in an order which some may be disposed to question; but
mythology, fable, and proverb often run one into the other, and the
knots cannot easily be disentangled. Take a sword and cut them; but the
sword though sharp is not convincing.
[Illustration: _Horapollo, ed. 1551._]
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SECTION V.
_EMBLEMS IN CONNEXION WITH PROVERBS._
PROVERBS are nearly always suggestive of a little narrative, or of a
picture, by which the sentiment might be more fully developed. The brief
moral reflections appended to many fables partake very much of the
nature of proverbs. Inasmuch, then, as there is this close alliance
between them, we might consider the Proverbial Philosophy of Shakespeare
only as a branch of the Philosophy of Fable; still, as there are in his
dramas many instances of the use of the pure proverb, and instances too
of the same kind in the Emblem writers, we prefer making a separate
Section for the proverbs or wise sayings.
Occasionally, like the Sancho Panza of his renowned contemporary,
Michael de Cervantes Saavedra, 1549–1616,[146] Shakespeare launches “a
leash of proverbial philosophies at once;” but with this difference,
that the dramatist’s application of them is usually suggestive either of
an Emblem-book origin, or of an Emblem-book destination. The example
immediately in view is from the scene (_3 Henry VI._, act i. sc. 4, l.
39, vol. v. p. 245) in which Clifford and Northumberland lay hands of
violence on Richard Plantagenet, duke of York; the dialogue proceeds in
the following way, York exclaiming,—
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