Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
Euen so my selfe; throughe absence manie a yeare,
A straunger meere, where I did spend my prime.
Nowe, parentes loue dothe hale mee by the eare,
And sayeth, come home, deferre no longer time:
Wherefore, when happe, some goulden honie bringes?
I will retorne, and rest my wearie winges.
Ouid. 1. Pont. 4.
_Quid melius Roma? Scythico quid frigore peius?
Huc tamen ex illa barbarus vrbe fugit._”
The parallel is from _All’s Well that Ends Well_ (act i. sc. 2, 1. 58,
vol. iii. p. 119), when the King of France speaks the praise of
Bertram’s father,—
“‘Let me not live,’ quoth he,
‘After my flame lacks oil, to be the snuff
Of younger spirits, whose apprehensive senses
All but new things disdain; whose judgments are
Mere fathers of their garments; whose constancies
Expire before their fashions.’ This he wish’d:
I after him do after him wish too,
Since I nor wax nor honey can bring home,
I quickly were dissolved from my hive,
To give some labourers room.”
The noble art and sport of Falconry were long the recreation, and, at
times, the eager pursuit of men of high birth or position. Various
notices, collected by Dr. Nathan Drake, in _Shakespeare and his Times_
(vol. i. pp. 255–272), show that Falconry was—
“During the reigns of Elizabeth and James, the most prevalent and
fashionable of all amusements;... it descended from the nobility to the
gentry and wealthy yeomanry, and no man could then have the smallest
pretension to the character of a gentleman who kept not a cast of
hawks.”
From joining in this amusement, or from frequently witnessing it,
Shakespeare gained his knowledge of the sport and of the technical terms
employed in it. We do not even suppose that our pictorial illustration
supplied him with suggestions, and we offer it merely to show that
Emblem writers, as well as others, found in falconry the source of many
a poetical expression.[158] The Italian we quote from, Giovio’s
“SENTENTIOSE IMPRESE” (Lyons, 1562, p. 41), makes it a mark “of the true
nobility;” but by adding, “So more important things give place,” implies
that it was wrong to let mere amusement occupy the time for serious
affairs.
DELLA VERA.
NOBILTÀ.
SIC MAJORA CEDVNT
[Illustration: _Giovio, 1562._]
_Lo ſparbier ſol tra piu falcon portato.
Franchi gli fa paſſar per ogni loco,
Et par che dica all’ huom triſto & da poco,
Nobil’ è quel, ch’ è di virtù dotato._
Thus we interpret the motto and the stanza,—
Public-domain text, read in full here on John Shaqi.
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