Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
To renew our youth, like the eagle’s, is an old scriptural expression
(_Psalms_, ciii. 5); and various arc the legends and interpretations
belonging to the phrase.[159] We must not wander among these,—but may
mention one which is given by Joachim Camerarius, _Ex Volatilibus_ (Emb.
34), for which he quotes Gesner as authority, how in the solar rays,
hawks or falcons, throwing off their old feathers, are accustomed to set
right their defects, and so to renew their youth.
RENOVATA
IVVENTVS.
[Illustration: _Camerarius, 1596._]
_Exuviis vitii abjectis, decus indue recti,
Ad ſolem ut plumas accipiter renovat._
[Sidenote: _i.e._]
“Sin’s spoils cast off, man righteousness assumes,
As in the sun the hawk renews its plumes.”
The thought of the sun’s influence in renovating what is decayed is
unintentionally advanced by the jealousy of Adriana in the _Comedy of
Errors_ (act ii. sc. 1, l. 97, vol. i. p. 411), when to her sister
Luciana she blames her husband Antipholus of Ephesus,—
“What ruins are in me that can be found
By him not ruin’d? then is he the ground
Of my defeatures. My decayed fair
A sunny look of his would soon repair.”
In the _Cymbeline_ (act i. sc. 1, l. 130, vol. ix. p. 167), Posthumus
Leonatus, the husband of Imogen, is banished with great fierceness by
her father, Cymbeline, King of Britain. A passage between daughter and
father contains the same notion as that in the Emblem of Camerarius,—
“_Imo._ There cannot be a pinch in death
More sharp than this is.
_Cym._ O disloyal thing,
That shouldst repair my youth, thou heap’st
A year’s age on me!”
Nil penna, ſed vſus.
[Illustration: _Paradin, 1562._]
The action of the ostrich in spreading out its feathers and beating the
wind while it runs, furnished a device for Paradin (fol. 23), which,
with the motto, _The feather nothing but the use_, he employs against
hypocrisy.
Whitney (p. 51) adopts motto, device, and meaning,—
“The Hippocrites, that make so great a showe,
Of Sanctitie, and of Religion sounde,
Are shaddowes meere, and with out substance goe,
And beinge tri’de, are but dissemblers founde.
Theise are compar’de, vnto the Ostriche faire,
Whoe spreades her winges, yet sealdome tries the aire.”
A different application is made in _1 Henry IV._ (act iv. sc. 1, l. 97,
vol. iv. p. 317), yet the figure of the bird with outstretching wings
would readily supply the comparison employed by Vernon while speaking to
Hotspur of “the nimbled-footed madcap Prince of Wales, and his
comrades,”—
Public-domain text, read in full here on John Shaqi.
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616 — John Shaqi
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