Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“Now I will believe
That there are unicorns; that in Arabia
There is one tree, the phœnix’ throne; one phœnix
At this hour reigning there.”
Timon of Athens (act iv. sc. 3, 1. 331, vol. vii. p. 281) just hints at
the animal’s disposition: “Wert thou the unicorn, pride and wrath would
confound thee, and make thine own self the conquest of thy fury.”
Decius Brutus, in _Julius Cæsar_ (act ii. sc. 1, l. 203, vol. vii. p.
347), vaunts of his power to influence Cæsar, and among other things
names the unicorn as a wonder to bring him to the Capitol. The
conspirators doubt whether Cæsar will come forth;—
“Never fear that: if he be so resolved,
I can o’ersway him; for he loves to hear
That unicorns may be betray’d with trees,
And bears with glasses, elephants with holes,
Lions with toils, and men with flatterers.”
The humorous ballad in the _Percy Reliques_ (vol. iv. p. 198), written
it is supposed close upon Shakespeare’s times, declares,—
“Old stories tell, how Hercules
A dragon slew at Lerna,
With seven heads and fourteen eyes
To see and well discern-a:
But he had a club, this dragon to drub,
Or he had ne’er done it. I warrant ye.”
It is curious that the device in Corrozet’s _Hecatomgraphie_ of the
Dragon of Lerna should figure forth, in the multiplication of processes
or forms, what Hamlet terms “the law’s delay.”
Multiplication de proces.
Tout homm[e/] en proces tant ſoit fin,
Alors qu’il penſe eſtr[e/] à la fin,
Il luy en ſuruient troys ou quatre
Pour leſquelz il ſe fault debatre.
[Illustration: _Corrozet, 1540._]
That is the very subject against which even Hercules,—“qu’ aqerre
honneur par ses nobles conquestes,”—is called into requisition to rid
men of the nuisance. We need not quote in full so familiar a narrative,
and which Corrozet embellishes with twenty-four lines of French
verses,—but content ourselves with a free rendering of his quatrain,—
“All clever though a man may be in various tricks of law,
Though he may think unto the end, his suit contains no flaw,
Yet up there spring forms three or four with which he hardly copes,
And lawyers’ talk and lawyers’ fees dash down his fondest hopes.”
It is not, however, with such speciality that Shakespeare uses this tale
respecting Hercules and the Hydra. On the occasion serving, the
questions may be asked, as in _Hamlet_ (act v. sc. 1, l. 93, vol. viii.
p. 154), “Why may not that be the skull of a lawyer? Where be his
quiddities now, his quillets, his cases, his tenures, and his tricks?
why does he suffer this rude knave now to knock him about the sconce
with a dirty shovel, and will not tell him of his action of battery?”
Public-domain text, read in full here on John Shaqi.
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