Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
The Poet delights to tell of self-sacrificing love; and hence the
celebrity which the PELICAN has acquired for the strong natural
affection which impels it, so the tale runs, to pour forth the very
fountain of its life in nourishment to its young. From Epiphanius,
bishop of Constantia in the island of Cyprus, whose _Physiologvs_ was
printed by Plantin in 1588, we have the supposed natural history of the
Pelicans and their young, which he symbolizes in the Saviour. His
account is accompanied by a pictorial representation, “ΠΕΡΙ ΤΗΣ
ΠΕΛΕΚΑΝΟΣ,”—_Concerning the Pelican_ (p. 30).
[Illustration: _Epiphanius, 1588._]
The good bishop narrates as physiological history the following,—
“Beyond all birds the Pelican is fond of her young. The female sits
on the nest, guarding her offspring, and cherishes and caresses them and
wounds them with loving; and pierces their sides and they die. After
three days the male pelican comes and finds them dead, and very much his
heart is pained. Driven by grief he smites his own side, and as he
stands over the wounds of the dead young ones, the blood trickles down,
and thus are they made alive again.”
Reusner and Camerarius both adopt the Pelican as the emblem of a good
king who devotes himself to the people’s welfare. _For Law and for
Flock_, is the very appropriate motto they prefix; Camerarius simply
saying (ed. 1596, p. 87),—
“_Sanguine vivificat Pelicanus pignora, sic rex
Pro populi vitæ est prodigus ipse suæ._”
“By blood the Pelican his young revives; and so a king
For his people’s sake himself of life is prodigal.”
Reusner (bk. ii. p. 73) gives the following device,—
Pro lege, & grege.
_EMBLEMA XIV._
[Illustration: _Reusner, 1581._]
And tells how,—
“Alphonsus the wise and good king of Naples, with his own honoured
hand painted a Pelican which with its sharp beak was laying open its
breast so as with its own blood to save the lives of its young. Thus for
people, for law, it is right that a king should die and by his own death
restore life to the nations. As by his own death Christ did restore life
to the just, and with life peace and righteousness.”
He adds this personification of the Pelican,—
“For people and for sanctioned law heart’s life a king will pour;
So from this blood of mine do I life to my young restore.”
The other motto, which Hadrian Junius and Geffrey Whitney select, opens
out another idea, _Quod in te est, prome_,—“Bring forth what is in
thee.” It suggests that of the soul’s wealth we should impart to others.
Junius (Emb. 7) thus addresses the bird he has chosen,—
“By often striking, O Pelican, thou layest open the deep recesses of
thy breast and givest life to thy offspring. Search into thine own mind
(my friend), seek what is hidden within, and bring forth into the light
the seeds of thine inner powers.”
Public-domain text, read in full here on John Shaqi.
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