Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“The hand that hath made you fair hath made you good; the goodness
that is cheap in beauty makes beauty brief in goodness; but grace, being
the soul of your complexion, shall keep the body of it ever fair.”
Beautlé compaigne de bonté.
[Illustration: _Corrozet, 1540._]
Comme la pierre precieuſe
Eſt à l’anneau d’or bien conioncte,
Ainſi la beaulté gracieuſe
Doibt eſtr[e/] auecq la bonté ioincte.
La pierre bonne
A l’homme donne
Ioyeuseté,
Quand la personne
A voir ſ’adonne
Sa grand clarté,
Mais ſa beaulté
Et dignité
Augmente quand l’or l’enuironne
Que ie compar[e/] à la bonté
Pour ſa treſgrande vtilité
Qui à telle vertu conſonne.
* Form[e/] elegante
Beaulté patente
De personnage
Du tout augmente
Se rend luyſante
Quand il est ſage
Non au viſage,
Mais au courage
Reluyct la bonté excellente
Et alors c’eſt vng chef d’ouurage
Quand on eſt tresbeau de corſage
Et qu’au cueur eſt vertu latente.
The French verse which immediately follows the Emblem well describes
it,—
“As, for the precious stone
The ring of gold is coin’d;
So, beauty in its grace
Should be to goodness join’d.”
The dramas we have liberty to select from furnish several instances of
the same thought. First, from the _Two Gentlemen of Verona_ (act iv. sc.
2, l. 38, vol. i. p. 135), in that exquisitely beautiful little song
which answers the question, “Who is Silvia?”—
“Who is Silvia? what is she,
That all our swains commend her?
Holy, fair, and wise is she;
The heaven such grace did lend her,
That she might admired be.
Is she kind as she is fair?
For beauty lives with kindness.
Love doth to her eyes repair,
To help him of his blindness,
And, being help’d, inhabits there.
Then to Silvia let us sing,
That Silvia is excelling;
She excels each mortal thing
Upon the dull earth dwelling:
To her let us garlands bring.”
But a closer parallelism to Corrozet’s Emblem of beauty joined to
goodness occurs in _Henry VIII._ (act ii. sc. 3, lines 60 and 75, vol.
vi. pp. 45, 46); it is in the soliloquy or _aside_ speech of the Lord
Chamberlain, who had been saying to Anne Bullen,—
Public-domain text, read in full here on John Shaqi.
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