Porri _Vaso di verita ... dell’ 4to Venetia 1597 antichristo_ _v._ Dalla Torre _Dialogo_ 4to Trivegi 1598 _k._ Caputi _La Pompa_ 4to Napoli 1599 _k._ Zoppio _La Montagna_ 4to Bologna 1600 _k._ Belloni _Discorso_ 4to Padova 1601 _k._ Chiocci _Delle imprese, e del vero ... ... 1601 modo di formarle._ _v._ Pittoni _Imprese di diversi fol. Venezia 1602 principi, &c._ _v._ (reprint). Ripa _Iconologia, &c., 4to Roma 1603 Concetti, Emblemi, ed _k._ Imprese._ ” ” ” ” 4to Siena 1613 _t._ Vænius _Amorum Emblemata_, in obl. Antverp 1608 Latin, English, and 4to _k.t._ Italian. Glissenti _Discorsi morali ... 4to Venetia 1609 contra il dispiacer del _v._ morire, &c._ Giulio Cesare Capaccio, besides his Neapolitan History, and one or two other works, is also the author of _Il Principe_, Venetia, 1620, a treatise on the Emblems of Alciatus, with more than 200 political and moral notices. Torquato Tasso is a name that needs no praise here. Of Alessio Porri I have found no other mention; and I may say the same of Gio. Dalla Torre, of Ottavio Caputi, and of Gio. Belloni. Melchior Zoppio, born in 1544 at Bologna (_Biog. Univ._ vol. lii. p. 430), was one of the founders of the Academia di Gelati, in his native town. Battisti Pittoni was a painter and engraver, who flourished between 1561 and 1585. The extensive work of Cesare Ripa of Perugia, which has passed through about twenty editions in Italian, Latin, Dutch, Spanish, German, and English, is alphabetically arranged, and treats of nearly 800 different subjects, with about 200 devices. Otho van Veen, or Vænius, belongs to Holland, not to Italy,—and his name appears here simply because his _Emblems of Love_ were translated into Italian. Fabio Glissenti in 1609 introduced into his work (Brunet, iii. c. 256, 7) twenty-four of the plates out of the forty-one which adorned an Italian edition of the _Images of Death_ in 1545. FRENCH.