How strange, if Ben edited it for the Great Unknown—who knew, if any human being knew, what work was “Shakespeare’s”! On Mr. Greenwood’s hypothesis, {222a} or “supposing,” the Unknown Author “may well have conceived the idea of publishing a collected edition of the plays which had been written” (not “published,” _written_) “under the name of Shakespeare, and, being himself busy with other matters, he may have entrusted the business to” some “good pen,” “and why not to”—Ben. Nevertheless “a very large part of that volume consists of work that is not ‘Shakespeare’s’ at all.” {222b} How did this occur? The book {222c} is “that very doubtful ‘canon.’” How, if “Shakespeare’s” man edited it for “Shakespeare”? Did “Shakespeare” not care what stuff was placed under his immortal “_nom de plume_”? It is not my fault if I think that Mr. Greenwood’s hypotheses {222d}—the genuine “Shakespeare” either revised his own works, or put Ben on the editorial task—are absolutely contradicted by his statements in another part of his book. {222e} For the genuine “Shakespeare” knew what plays he had written, knew what he could honestly put forth as his own, as “Shakespeare’s.” Or, if he placed the task of editing in Ben’s hands, he must have told Ben what plays were of his own making. In either case the Folio would contain these, and no others. But—“the _plat contraire_,”—the very reverse,—is stated by Mr. Greenwood. “It stands admitted that a very large portion of that volume” (the Folio) “consists of work that is not ‘Shakespeare’s’” (is not Bacon’s, or the other man’s) “at all.” {223a} Then away fly the hypotheses {223b} that the auto-Shakespeare, or that Ben, employed by the auto-Shakespeare (apparently Bacon) revised, edited, and prepared for publication the auto-Shakespearean plays. For Mr. Greenwood “has already dealt with _Titus_ (_Andronicus_) and _Henry VI_,” {223c} and proved them not to be auto-Shakespearean—and he adds “there are many other plays in that very doubtful ‘canon’” (the Folio) “which, by universal admission, contain much non-Shakespearean composition.” {223d} Perhaps! but if so the two hypotheses, {223e} that either the genuine Shakespeare {223f} revised (“is it not a more natural solution that ‘Shakespeare’ himself revised his works for publication, and that some part, at any rate, of this revision {223g} was done after 1616 and before 1623?”), or {223h} that he gave Ben (who was working, by the conjecture, for Bacon) the task of editing the Folio,—are annihilated. For neither the auto-Shakespeare (if honest), nor Ben (if sober), could have stuffed the Folio full of non-Shakespearean work,—including four “non-Shakespearean” plays,—nor could the Folio be “that very doubtful canon.” {224a} Again, if either the auto-Shakespeare or Ben following his instructions, were Editor, neither could have, as the Folio Editor had “evidently no little doubt about” _Troilus and Cressida_. {224b}