Shakespeare, William, 1564-1616 -- Stage history; Theater -- England
On March 5, 1908, the general committee were again summoned to the Mansion
House to receive the further recommendations of the executive committee
after their consultation with an advisory committee consisting of seven
persons, five of whom were members of the Royal Academy. The meeting
confirmed the recommendation that a statue be erected in Park Crescent,
Portland Place, at a cost of not less than L100,000, and an additional
L100,000, if collected, "to be administered by an international committee
for the furtherance of Shakespearian aims." What was remarkable to me
about this meeting was the small attendance. There could not have been
more than two dozen persons present. I believe I was the only one there to
raise a debate on the report, and, my objections being ignored, letters
from me appeared the next day in the _Times_ and the _Daily News_
attacking the constitution of the committee selected to approve of the
design. Among those chosen there was not one Shakespearian scholar, no
poet, and no dramatist. What, then, would be the effect upon the designers
of having to submit their models to a committee of this kind? Instead of
the artists giving their faculties full play to produce some original and
great piece of sculpture worthy of Shakespeare's genius, they would be
striving to design something specially suited to meet the limited and,
perhaps, prejudiced ideas of their judges (the professional experts),
while the general committee, responsible to the public for the National
Memorial, would be handing over its duties to an academy which had never
shown any special appreciation of the poet and his plays; for, so far as
my experience goes, there never has been a Shakespearian picture exhibited
on the walls of the Royal Academy which was not, as to costume and in
idea, a burlesque of the dramatist's intentions, always excepting those
painted by Seymour Lucas, R.A., who, strange to say, was not one of the
judges selected.
But it soon became evident from correspondence in the newspapers that the
project of a statue in Portland Place did not satisfy the wishes of a very
large number of influential men, and of a very important section of the
public. Accordingly, a public meeting took place at the Lyceum Theatre,
under the presidency of Lord Lytton, on Tuesday May 19, 1908, when a
resolution was carried in favour of a National Theatre as a memorial to
Shakespeare. Steps were then taken to amalgamate the existing Shakespeare
Memorial Committee with the National Theatre Committee. A new executive
was nominated, and again, for the third time, the general committee was
summoned on March 23, 1909, to receive and sanction the report, which
recommended the raising by subscription of L500,000 to build and endow a
theatre in which Shakespeare's plays should be acted for at least one day
in each week.
Public-domain text, read in full here on John Shaqi.
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