Flecknoe, Richard, on the drama after Shakespeare's death, 16 Fletcher, John, and authorship of "Henry VIII.," 92 Fleury, M., 79 Folk-songs, Elizabethan, 44 Ford, John, 180 Fortune Theatre, 11, 12, 13, 40, 205, 208 Frohman's, Mr., Repertory Theatre, 193, 199 Fry's, Mr. Roger, appreciation of Mr. Gordon Craig, 224 Furnivall, Dr. F. J., 38, 229 Garrick, David: as exponent of Shakespeare, 5; version of "Romeo and Juliet," 140 "George Barnwell," 196 Gervinus, G. G.: on "Henry VIII.," 90; on "Troilus and Cressida," 107 Globe players' rights in "Troilus and Cressida," 116 Globe Playhouse, memorial in form of, 228, 231 Globe Theatre, 7, 11, 45, 48, 54, 57, 58, 68, 86, 98, 102, 104, 115, 116, 180 Globe Theatre at Earl's Court, 208 Goethe, 194 Gonzalo dialogue in "The Tempest," 55 "Gorbuduc," 40 Gosson, Stephen, 21 Gray's Inn, 42 Green, J. R., on Queen Elizabeth and Mary Stuart, 63 Greene, Robert, "Friar Bacon and Friar Bungay," 79 Greenwich Palace, 40 Halliwell-Phillipps, J. O., on the Shakespearian theatre, 7, 11 "Hamlet": clown referred to, 22; early quartos, 31, 47; breaks in, 42; stage directions in first quarto, 50, 53, 54; alterations, 54, 160; acting edition and Globe edition, 156; omissions, 156, 157, 161-175; Fortinbras, 157; French's acting edition and Globe edition compared, 158 _et seq._; stage directions, 159; entrance of Hamlet, 159; Cumberland's version, 160, 163, 164, 168, 171; the period of the play, 163; Oxberry's edition, 164; the Dumb Show, 166; the exit of the King, 167; changes suggested, 170; Ophelia and flowers, 172; her burial, 173; the poison cups, 174; the conclusion, 175; suggestions for an authoritative acting version, 175; performance of first quarto, 204 Hart, H. C., 112 Heine, Heinrich, on Shylock, 69 Heminge and Condell: and the first folio, 32; and divisions in the plays, 41; and "Henry VIII.," 87; and "Troilus and Cressida," 99 "Henry IV.," 115; epilogue to Part II., 101 "Henry V.": choruses, 7, 40; the early quarto, 48; produced, 115 "Henry VIII.": the authorship of, 85 _et seq._; earliest mention of, 86; criticisms, 88 _et seq._; stage directions, 94; summary of the arguments as to its genuineness, 96 Henslowe's "Diary," 15 Hertzberg, Professor, on "Henry VIII.," 90 Heywood, Thomas: on the English stage, 13; in defence of acting, 19; of plays, 27; reply to the Puritans, 107 Historical dramas disapproved, 45 Homer, Chapman and Shakespeare renderings, 100 Hugo, Victor, on "Henry VIII.," 89 Impersonation in acting, 219 Ireland in Elizabethan drama, 16 Irving, Sir Henry: as Shylock, 71; on acting, 219 Jew: Shakespeare's, 70; Christian ideas of, 73. _See also_ Shylock "Jew of Malta, The," Marlowe's, 72, 80