Shakespeare, William, 1564-1616 -- Stage history; Theater -- England
And first to clear away the myth in connection with the idea that this is
one of Shakespeare's late plays, or that it was only partly written by the
poet, or written at different periods of his life. It may be confidently
asserted that Shakespeare allowed no second hand to meddle with a work so
personal to himself as this one, nor was he accustomed to seek the help of
any collaborator in a play that he himself initiated. We know, besides,
that he wrote with facility and rapidly. As to the date of the play, the
evidence of the loose dramatic construction, and the preference for
dialogue where there should be drama, place it during the period when
Shakespeare was writing his histories. The grip that he ultimately
obtained over the stage handling of a story so as to produce a culminating
and overpowering impression on his audience is wanting in "Troilus and
Cressida." In fact, it is impossible to believe that this play was written
after "Julius Caesar," "Much Ado," or "Twelfth Night." Nor is there
evidence of revision in the play, since there are no topical allusions to
be found in it which point to a later date than 1598 except perhaps in the
prologue, which could hardly have been written before 1601, and did not
appear in print before 1623. Again, it is contended that there is too much
wisdom crammed into the play to allow of its being an early composition.
But the false ethics underlying the Troy story, which Shakespeare meant to
satirize in "Troilus and Cressida," had been previously exposed in his
poem of "Lucrece":
"Show me the strumpet that began this stir,
That with my nails her beauty I may tear.
Thy heat of lust, fond Paris, did incur
This load of wrath that burning Troy did bear:
Thy eye kindled the fire that burneth here;
And here in Troy, for trespass of thine eye
The sire, the son, the dame, and daughter die.
"Why should the private pleasure of some one
Become the public plague of many moe?
Let sin, alone committed, light alone
Upon his head that hath transgressed so;
Let guiltless souls be freed from guilty woe:
For one's offence why should so many fall,
To plague a private sin in general.
"Lo, here weeps Hecuba, here Priam dies,
Here manly Hector faints, here Troilus swounds,
Here friend by friend in bloody charnel lies,
And friend to friend gives unadvised wounds,
And one man's lust these many lives confounds;
Had doting Priam check'd his son's desire,
Troy had been bright with fame, and not with fire."
Public-domain text, read in full here on John Shaqi.
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