Shakespeare's Christmas, and other storiesQuiller-Couch, Arthur
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Shakespeare's Christmas, and other stories
Quiller-Couch, Arthur
English fiction -- 20th century; Short stories, English
_What would you have? In la Verdura
All the day long she keeps a stall:
Students, bachelors buy her nosegays,
Given with a look and--well, that's all!
Go, silly boy, believe you first with her--
Twenty at once she'll entertain.
Why love a mistress and be curst with her?
Copy Luisa--love all Spain!_
He paused, still eyeing them. "You recognise the tune, Sirs? Does she
play it yet? Well, then, I made it for her."
"_You?_ How came _you_ to make her that tune?" The younger man had
found his voice at length. "No, Sir; coquette she may be, but that
she ever was friends with such a one as Andrea Galazza I will not yet
believe."
"And you are right. Sirs, you have not yet told me your names: but in
your generous heat you have given me your secret--that you are two
lovers of Spain, and even such a pair as my friend and I have travelled
some distance to seek. In return you shall have mine. I tricked you
just now. I am not Don Andrea, but his brother Eugenio--or, as some
call him, Fuentes."
"Fuentes! _You!_"
"Upon my honour, yes." He pulled off his spectacles, meeting their
incredulity with a frank laugh. "What proof can I give you?" The guitar
still lay across his knees: he picked it up as if to play, but set it
down after a moment with another laugh, hard and bitter. "Let us go
together, gentlemen, to the Street of the Virgins, and ask Luisa if she
remembers me."
It was agreed that the young men--who gave their names as Diego de
Ribalta and Sebastian Paz--should not accompany us into the city, but
wend their way back across the bridge, while we finished our wine
and mounted our beasts at leisure. The officer at the bridge-end
made no pother about our passports (borrowed, I need scarcely say,
from the estimable Don Andrea, who, as his brother explained, was a
careful man, and zealous in all dealings with the authorities); and
by-and-by we were clattering up-hill through the ill-lighted streets
of Salamanca. At the head of the first street our two friends stepped
out of the shadow and joined us in silence. In silence, too, Fuentes
regreeted them, and led the way--to an inn first, the Four Crowns,
standing almost under the shadow of the Old Cathedral, where we stabled
mare and mule; then, on foot, through a maze of zigzagging lanes and
alleys, back into the depths of a waterside quarter. Once he was at
fault--the lane we followed ending abruptly in an open space strewn
with rubble-heaps, a broad area where the French had lately been at
work. Among these heaps he blundered for a while in the darkness, and
then, retracing his steps, took up the scent again and led us down one
narrow street, across another; turned to the right, counting the houses
as he went, and knocked at the twelfth door without hesitation. The
knock was a peculiar one--five quick taps, followed, after a pause, by
one distinct and heavy.
Public-domain text, read in full here on John Shaqi.
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