England -- Description and travel; Literary landmarks -- England; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
Johnson habitually sat when he attended divine service there. It was his
favourite church. The pew is in the gallery; and to those who honour the
passionate integrity and fervent, devout zeal of the stalwart old
champion of letters, it is indeed a sacred shrine. Henry Mossop, one of
the stateliest of stately actors, perishing, by slow degrees, of penury
and grief,--which he bore in proud silence,--found a refuge, at last, in
the barren gloom of Chelsea churchyard. Theodore Hook, the cheeriest
spirit of his time, the man who filled every hour of life with the
sunshine of his wit and was wasted and degraded by his own brilliancy,
rests, close by Bishop Sherlock, in Fulham churchyard,--one of the
dreariest spots in the suburbs of London. Perhaps it does not much
signify, when once the play is over, in what oblivion our crumbling
relics are hidden away. Yet to most human creatures these are sacred
things, and many a loving heart, for all time to come, will choose a
consecrated spot for the repose of the dead, and will echo the tender
words of Longfellow,--so truly expressive of a universal and reverent
sentiment--
"Take them, O Grave, and let them lie
Folded upon thy narrow shelves,
As garments by the soul laid by
And precious only to ourselves."
One of the most impressive of the many literary pilgrimages that I have
made was that which brought me to the house in which Coleridge died, and
the place where he was buried. The student needs not to be told that
this poet, born in 1772, the year after Gray's death, bore the white
lilies of pure literature till 1834, when he too entered into his rest.
The last nineteen years of the life of Coleridge were spent in a house
at Highgate; and there, within a few steps of each other, the visitor
may behold his dwelling and his tomb. The house is one in a block of
dwellings, situated in what is called the Grove--a broad, embowered
street, a little way from the centre of the village. There are gardens
attached to these houses, both in the front and the rear, and the smooth
and peaceful roadside walks in the Grove itself are pleasantly shaded by
elms of noble size and abundant foliage. These were young trees when
Coleridge saw them, and all this neighbourhood, in his day, was but
thinly settled. Looking from his chamber window he could see the dusky
outlines of sombre London, crowned with the dome of St. Paul's on the
southern horizon, while, more near, across a fertile and smiling valley,
the gray spire of Hampstead church would bound his prospect, rising
above the verdant woodland of Caen.¹ In front were beds of flowers, and
all around he might hear the songs of birds that filled the fragrant air
with their happy, careless music. Not far away stood the old church of
Highgate, long since destroyed, in which he used to worship, and close
by was the Gate House inn, primitive, quaint, and cosy, which still is
standing, to comfort the weary traveller with its wholesome hospitality.
Public-domain text, read in full here on John Shaqi.
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