England -- Description and travel; Literary landmarks -- England; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
It is often said, with reference to memorable places, that the best view
always is the first view. No doubt the accustomed eye sees blemishes. No
doubt the supreme moments of human life are few and come but once; and
neither of them is ever repeated. Yet frequently it will be found that
the change is in ourselves and not in the objects we behold. Scott has
glanced at this truth, in a few mournful lines, written toward the close
of his heroic and beautiful life. Here at Stratford, however, I am not
conscious that the wonderful charm of the place is in any degree
impaired. The town still preserves its old-fashioned air, its
quaintness, its perfect cleanliness and order. At the Shakespeare
cottage, in the stillness of the room where he was born, the spirits of
mystery and reverence still keep their imperial state. At the ancient
grammar-school, with its pent-house roof and its dark, sagging rafters,
you still may see, in fancy, the unwilling schoolboy gazing upward
absently at the great, rugged timbers, or looking wistfully at the
sunshine, where it streams through the little lattice windows of his
prison. New Place, with its lovely lawn, its spacious garden, the
ancestral mulberry and the ivy-covered well, will bring the poet before
you, as he lived and moved, in the meridian of his greatness.
_Cymbeline, The Tempest,_ and _A Winter's Tale,_ the last of his works,
undoubtedly were written here; and this alone should make it a hallowed
spot. Here he blessed his young daughter on her wedding day; here his
eyes closed in the long last sleep; and from this place he was carried
to his grave in the chancel of Stratford church. I pass once again
through the fragrant avenue of limes, the silent churchyard with its
crumbling monuments, the dim porch, the twilight of the venerable
temple, and kneel at last above the ashes of Shakespeare. What majesty
in this triumphant rest! All the great labour accomplished. The
universal human heart interpreted with a living voice. The memory and
the imagination of mankind stored forever with words of sublime
eloquence and images of immortal beauty. The noble lesson of
self-conquest--the lesson of the entire adequacy of the resolute,
virtuous, patient human will--set forth so grandly that all the world
must see its meaning and marvel at its splendour. And, last of all,
death itself shorn of its terrors and made a trivial thing.
Illustration: "Stratford Church."
Public-domain text, read in full here on John Shaqi.
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