England -- Description and travel; Literary landmarks -- England; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
Many faces of actors appear upon those walls--from Garrick to Edmund
Kean, from Macready to Henry Irving, from Kemble to Edwin Booth, from
Mrs. Siddons to Ellen Terry, Ada Rehan, and Mary Anderson. Prominent
among the pictures is a spirited portrait of Garrick and his wife,
playing at cards, wherein the lovely, laughing lady archly discloses
that her hands are full of hearts. Not otherwise, truly, is it with
sweet and gentle Stratford herself, where peace and beauty and the most
hallowed and hallowing of poetic associations garner up, forever and
forever, the hearts of all mankind.
In previous papers upon this subject I have tried to express the
feelings that are excited by personal contact with the relics of
Shakespeare--the objects that he saw and the fields through which he
wandered. Fancy would never tire of lingering in this delicious region
of flowers and of dreams. From the hideous vileness of the social
condition of London in the time of James the First, Shakespeare must
indeed have rejoiced to depart into this blooming garden of rustic
tranquillity. Here also he could find the surroundings that were needful
to sustain him amid the vast and overwhelming labours of his final
period. No man, however great his powers, can ever, in this world,
escape from the trammels under which nature enjoins and permits the
exercise of the brain. Ease, in the intellectual life, is always
visionary. The higher a man's faculties the higher are his
ideals,--toward which, under the operation of a divine law, he must
perpetually strive, but to the height of which he will never absolutely
attain. So, inevitably, it was with Shakespeare.
Illustration: "Mary Arden Cottage."
But, although genius cannot escape from itself and is no more free than
the humblest toiler in the vast scheme of creation, it may--and it
must--sometimes escape from the world: and this wise poet, of all men
else, would surely recognise and strongly grasp the great privilege of
solitude amid the sweetest and most soothing adjuncts of natural beauty.
That privilege he found in the sparkling and fragrant gardens of
Warwick, the woods, fields and waters of the Avon, where he had played
as a boy, and where love had laid its first kiss upon his lips and
poetry first opened upon his inspired vision the eternal glories of her
celestial world. It still abides there, for every gentle soul that can
feel its influence--to deepen the glow of noble passion, to soften the
sting of grief, and to touch the lips of worship with a fresh sacrament
of patience and beauty.
------
THE ANNE HATHAWAY COTTAGE.
Public-domain text, read in full here on John Shaqi.
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