Shakespeare the Boy: With Sketches of the Home and School Life, Games and Sports, Manners, Customs and Folk-lore of the TimeRolfe, W. J. (William James)
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Shakespeare the Boy: With Sketches of the Home and School Life, Games and Sports, Manners, Customs and Folk-lore of the Time
Rolfe, W. J. (William James)
Shakespeare, William, 1564-1616 -- Childhood and youth
St. John's wort, vervain, orpine, and rue were among the plants
gathered on Midsummer Eve on account of their supernatural virtue.
Each was supposed to have its peculiar use in popular magic.
Orpine, for instance, was set in clay upon pieces of slate, and
called a "Midsummer man." According as the stalk was found next
morning to incline to the right or the left, the anxious maiden
knew whether her lover would prove true to her or not. Young women
also sought at this time for what they called pieces of coal, but
in reality hard, black, dead roots, often found under the living
mugwort; and these they put under their pillows that they might
dream of their lovers. Lupton, in his _Notable Things_ (1586),
says: "It is certainly and constantly affirmed that on Midsummer
Eve there is found, under the root of mugwort, a coal which saves
or keeps them safe from the plague, carbuncle, lightning, the
quartan ague, and from burning, that bear the same about them." He
also says it is reported that the same remarkable "coal" is found
at the same time of the year under the root of plantain; and he
adds that he knows this "to be of truth," for he has found it there
himself!
Midsummer Eve was also thought to be a season productive
of madness. In _Twelfth Night_ (iii. 4. 61) Olivia says of
Malvolio's eccentric behavior, "Why, this is very midsummer
madness." Steevens, the Shakespearian critic, believed that the
_Midsummer-Night's Dream_ owed its title to this association of
mental vagaries with the season. John Heywood, writing in the
latter part of the 16th century, alludes to the same belief when he
says:--
"As mad as a March hare; when madness compares,
Are not Midsummer hares as mad as March hares?"
It is not improbable, however, that the _Midsummer-Night's Dream_
was so called because it was to be first represented at Midsummer,
or because it was like the plays commonly performed in connection
with the festivities of that season. A drama in which fairies
were leading characters was in keeping with the time of year when
fairies and spirits were supposed to manifest themselves to mortal
vision either in vigils or in dreams.
CHRISTMAS.
[Illustration: CLOPTON HOUSE ON CHRISTMAS EVE]
Public-domain text, read in full here on John Shaqi.
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