Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
On November 6, 1602, the building was the scene of the famous hoax
known as _England's Joy_, perpetrated upon the patriotic citizens of
London by one Richard Vennar.[269] Vennar scattered hand-bills over
the city announcing that at the Swan Playhouse, on Saturday, November
6, a company of "gentlemen and gentlewomen of account" would present
with unusual magnificence a play entitled _England's Joy_, celebrating
Queen Elizabeth. It was proposed to show the coronation of Elizabeth,
the victory of the Armada, and various other events in the life of
"England's Joy," with the following conclusion: "And so with music,
both with voice and instruments, she is taken up into heaven; when
presently appears a throne of blessed souls; and beneath, under the
stage, set forth with strange fire-works, diverse black and damned
souls, wonderfully described in their several torments."[270] The
price of admission to the performance was to be "two shillings, or
eighteen pence at least." In spite of this unusually high price, an
enormous audience, including a "great store of good company and many
noblemen," passed into the building. Whereupon Vennar seized the money
paid for admission, and showed his victims "a fair pair of heels." The
members of the audience, when they found themselves thus duped,
"revenged themselves upon the hangings, curtains, chairs, stools,
walls, and whatsoever came in their way, very outrageously, and made
great spoil."[271]
[Footnote 269: Many writers, including Mr. Wallace, have confused this
Richard Vennar with William Fennor, who later challenged Kendall to a
contest of wit at the Fortune. For a correct account, see T.S. Graves,
"Tricks of Elizabethan Showmen" (in _The South Atlantic Quarterly_,
April, 1915, XIV) and "A Note on the Swan Theatre" (in _Modern
Philology_, January, 1912, IX, 431).]
[Footnote 270: From the broadside printed in _The Harleian
Miscellany_, X, 198. For a photographic facsimile, see Lawrence, _The
Elizabethan Playhouse_ (Second Series), p. 68.]
[Footnote 271: _Letters Written by John Chamberlain_, Camden Society
(1861), p. 163; _The Calendar of State Papers, Domestic, 1601-1603_,
p. 264. See also Manningham's _Diary_, pp. 82, 93.]
On February 8, 1603, John Manningham recorded in his _Diary_: "Turner
and Dun, two famous fencers, playd their prizes this day at the
Bankside, but Turner at last run Dun so far in the brain at the eye,
that he fell down presently stone dead; a goodly sport in a Christian
state, to see one man kill another!" The place where the contest was
held is not specifically mentioned, but in all probability it was the
Swan.[272]
[Footnote 272: This seems to be the source of the statement by Mr.
Wallace (_Englische Studien_, XLIII, 388), quoting Rendle (_The
Antiquarian Magazine_, VII, 210): "In 1604, a man named Turner, in a
contest for a prize at the Swan, was killed by a thrust in the eye."
Rendle cites no authority for his statement.]
Public-domain text, read in full here on John Shaqi.
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