Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
The plan of organization having been evolved, and the original members
having been selected, the first question presenting itself was, Where
should the new playhouse be erected? Burbage, Heminges, and the
rest--including Shakespeare--probably gave the question much thought.
Their experience in Holywell had not been pleasant; the precinct of
Blackfriars, they now well realized, was out of the question; so they
turned their eyes to the Bankside. That section had recently become
the theatrical centre of London. There were situated the Rose, the
Swan, and the Bear Garden, and thither each day thousands of persons
flocked in search of entertainment. Clearly the Bankside was best
suited to their purpose. Near the fine old church of St. Mary Overies,
and not far from the Rose and the Bear Garden, they found a plot of
land that met their approval. Its owner, Sir Nicholas Brend, was
willing to lease it for a long term of years, and at a very reasonable
rate. They made a verbal contract with Brend, according to which the
lease was to begin on December 25, 1598.
[Illustration: WILLIAM SHAKESPEARE
Shakespeare seems to have been equally with Burbage a leader in erecting
the Globe. In 1599 the building is officially described as "vna domo de
novo edificata ... in occupacione Willielmi Shakespeare et aliorum."]
Three days later, on December 28, Richard and Cuthbert Burbage, having
secured the services of the carpenter, Peter Street, and his workmen,
tore down the old Theatre and transported the timber and other
materials to this new site across the river; and shortly after the
Globe began to lift itself above the houses of the Bankside--a
handsome theatre surpassing anything then known to London playgoers.
In the meantime the lawyers had drawn up the lease, and this was
formally signed on February 21, 1599. The company had arranged a
"tripartite lease," the three parties being Sir Nicholas Brend, the
Burbage brothers, and the five actors.[383] To the Burbages Sir
Nicholas leased one-half of the property at a yearly rental of L7
5_s._; and to the five actors, he leased the other half, at the same
rate. Thus the total rent paid for the land was L14 10_s._ The lease
was to run for a period of thirty-one years.
[Footnote 383: Exact information about the lease and the organization
of the company is derived from the Heminges-Osteler and the
Witter-Heminges documents, both discovered and printed by Mr. Wallace.
And with these one should compare the article by the same author in
the London _Times_, April 30, May 1, 1914.]
The five actors, not satisfied with tying up the property in the
"tripartite lease," proceeded at once to arrange their holdings in the
form of a "joint tenancy." This they accomplished by the following
device:
Public-domain text, read in full here on John Shaqi.
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