Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
[Footnote 402: Wallace, in the London _Times_, May 1, 1914.]
Almost at once they rose to the position of leadership in the drama,
for both Shakespeare and Burbage were now at the height of their
powers. It is true that in 1601 the popularity of the Children at
Blackfriars, and the subsequent "War of the Theatres" interfered
somewhat with their success; but the interference was temporary, and
from this time on until the closing of the playhouses in 1642, the
supremacy of the Globe players was never really challenged. When James
came to the throne, he recognized this supremacy by taking them under
his royal patronage. On May 19, 1603, he issued to them a patent to
play as the King's Men[403]--an honor that was as well deserved as it
was signal.
[Footnote 403: Printed in The Malone Society _Collections_, I, 264.]
In the autumn of 1608 the proprietors of the Globe acquired the
Blackfriars Theatre for the use of their company during the severe
winter months. This splendid building, situated in the very heart of
the city, was entirely roofed in, and could be comfortably heated in
cold weather. Henceforth the open-air Globe was used only during the
pleasant season of the year; that is, according to the evidence of the
Herbert Manuscript, from about the first of May until the first of
November.
On June 29, 1613, the Globe caught fire during the performance of a
play, and was burned to the ground--the first disaster of the sort
recorded in English theatrical history. The event aroused great
interest in London, and as a result we have numerous accounts of the
catastrophe supplying us with full details. We learn that on a warm
"sunne-shine" afternoon the large building was "filled with
people"--among whom were Ben Jonson, John Taylor (the Water-Poet), and
Sir Henry Wotton--to witness a new play by William Shakespeare and
John Fletcher, called _All is True_, or, as we now know it, _Henry
VIII_, produced with unusual magnificence. Upon the entrance of the
King in the fourth scene of the first act, two cannon were discharged
in a royal salute. One of the cannon hurled a bit of its wadding upon
the roof and set fire to the thatch; but persons in the audience were
so interested in the play that for a time they paid no attention to
the fire overhead. As a result they were soon fleeing for their lives;
and within "one short hour" nothing was left of the "stately" Globe.
I quote below some of the more interesting contemporary accounts of
this notable event. Howes, the chronicler, thus records the fact in
his continuation of Stow's _Annals_:
Public-domain text, read in full here on John Shaqi.
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