Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
[Footnote 568: Nathaniel Field, the leading actor at Whitefriars,
published _A Woman is a Weathercock_ in 1612, with the statement to
the reader: "If thou hast anything to say to me, thou know'st where to
hear of me for a year or two, and no more, I assure thee." Possibly
this reflects the failure of the managers to renew the lease; after
1614 Field did not know where he would be acting. But editors have
generally regarded it as meaning that Field intended to withdraw from
acting.]
[Footnote 569: Malone, _Variorum_, III, 52.]
At the expiration of one year, in March, 1614, Rosseter withdrew from
his partnership with Henslowe, and on the old patent of the Children
of the Queen's Revels (which he had retained) organized a new company
to travel in the country.
In the following year, 1615, he and certain others, Philip Kingman,
Robert Jones, and Ralph Reeve, secured a lease of "diverse buildings,
cellars, sollars, chambers, and yards for the building of a playhouse
thereupon for the better practising and exercise of the said Children
of the Revels; all which premises are situate and being within the
precinct of the Blackfriars, near Puddlewharf, in the suburbs of
London, called by the name of the Lady Saunders's House, or otherwise
Porter's Hall."[570] It was their purpose to convert this hall into a
playhouse to rival the near-by Blackfriars; and in accordance with
this purpose, on June 3, 1615, Rosseter secured a royal license under
the Great Seal of England "to erect, build, and set up in and upon the
said premises before mentioned one convenient playhouse for the said
Children of the Revels, the same playhouse to be used by the Children
of the Revels for the time being of the Queene's Majesty, and for the
Prince's Players, and for the Lady Elizabeth's Players."[571]
[Footnote 570: The Malone Society's _Collections_, I, 277. For the
location of Puddlewharf see the map of the Blackfriars precinct on
page 94.]
[Footnote 571: The Malone Society's _Collections_, I, 277.]
The work of converting Porter's Hall into a playhouse seems to have
begun at once. On September 26, 1615, the Privy Council records "that
one Rosseter, and others, having obtained license under the Great Seal
of England for the building of a playhouse, have pulled down [i.e.,
stripped the interior of] a great messuage in Puddlewharf, which was
sometimes the house of the Lady Saunders, within the precinct of the
Blackfriars, and are now erecting a new playhouse in that place."[572]
[Footnote 572: _Ibid._, p. 373.]
Public-domain text, read in full here on John Shaqi.
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