Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
There's wit in that now. But this small Poet vents none but
his own, and his by whose care and directions this Stage is
govern'd, who has for many years, both in his father's days,
and since, directed Poets to write and Players to speak,
till he trained up these youths here to what they are now.
Aye, some of 'em from before they were able to say a grace
of two lines long to have more parts in their pates than
would fill so many Dry-vats. And to be serious with you, if
after all this, by the venomous practice of some, who study
nothing more than his destruction, he should fail us, both
Poets and Players would be at loss in reputation.
His "destruction" was wrought, nevertheless, for as a result of his
indiscretion he was deposed from his position as Governor of the
King's and Queen's Company, and William Davenant was appointed in his
place. In the Office-Book of the Lord Chamberlain under the date of
June 27, 1640,[611] appears the following entry with the heading, "Mr.
Davenant Governor of the Cockpit Players":
Whereas in the playhouse or theatre commonly called the
Cockpit, in Drury Lane, there are a company of players
authorized by me (as Lord Chamberlain to His Majesty) to
play or act under the title of The King's and Queen's
Servants, and that by reason of some disorders lately
amongst them committed they are disabled in their service
and quality: These are therefore to signify that by the same
authority I do authorize and appoint William Davenant,
Gent., one of Her Majesty's servants, for me and in my name
to take into his government and care the said company of
players, to govern, order, and dispose of them for action
and presentments, and all their affairs in the said house,
as in his discretion shall seem best to conduce to His
Majesty's service in that quality. And I do hereby enjoin
and command them, all and every of them, that are so
authorized to play in the said house under the privilege of
His or Her Majesty's Servants, and every one belonging as
prentices or servants to those actors to play under the same
privilege, that they obey the said Mr. Davenant and follow
his orders and directions, as they will answer the contrary;
which power and privilege he is to continue and enjoy during
that lease which Mrs. Elizabeth Beeston, _alias_ Hucheson,
hath or doth hold in the said playhouse, provided he be
still accountable to me for his care and well ordering the
said company.[612]
[Footnote 611: Stopes (_op. cit._) dates this June 5, but Collier,
Malone, and Chalmers all give June 27, and Mrs. Stopes is not always
quite accurate in such matters.]
[Footnote 612: Collier, _The History of English Dramatic Poetry_
(1879), II, 32, note 1.]
Under the direction of Davenant the company acted at the Cockpit until
the closing of the theatres two years later.
Public-domain text, read in full here on John Shaqi.
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