Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
Usually the Court performances, like the masques, were important,
almost official occasions, and many guests, including the members of
the diplomatic corps, were invited. To provide accommodation for so
numerous an audience, a large room was needed. Hampton Court possessed
a splendid room for the purpose in the Great Banqueting Hall, one
hundred and six feet in length and forty feet in breadth. But the
palace at Whitehall for many years had no room of a similar character.
For the performance of a masque there in 1559 the Queen erected a
temporary "Banqueting House." Again, in 1572, to entertain the Duke of
Montmorency, Ambassador from France, she had a large "Banketting House
made at Whitehall," covered with canvas and decorated with ivy and
flowers gathered fresh from the fields. An account of the structure
may be found in the records of the Office of the Revels. Perhaps,
however, the most elaborate and substantial of these "banqueting
houses" was that erected in 1581, to entertain the ambassadors from
France who came to treat of a marriage between Elizabeth and the Duc
d'Anjou. The structure is thus described by Holinshed in his
_Chronicle_:[656]
This year (against the coming of certain commissioners out
of France into England), by Her Majesty's appointment, on
the sixth and twentieth day of March, in the morning (being
Easter Day), a Banqueting House was begun at Westminster, on
the south-west side of Her Majesty's palace of Whitehall,
made in manner and form of a long square, three hundred
thirty and two foot in measure about; thirty principals made
of great masts, being forty foot in length apiece, standing
upright; between every one of these masts ten foot asunder
and more. The walls of this house were closed with canvas,
and painted all the outsides of the same most artificially,
with a work called rustic, much like stone. This house had
two hundred ninety and two lights of glass. The sides within
the same house was made with ten heights of degrees for
people to stand upon; and in the top of this house was
wrought most cunningly upon canvas works of ivy and holly,
with pendants made of wicker rods, garnished with bay, rue,
and all manner of strange flowers garnished with spangles of
gold; as also beautified with hanging toseans made of holly
and ivy, with all manner of strange fruits, as pomegranates,
oranges, pompions, cucumbers, grapes, carrots, with such
other like, spangled with gold, and most richly hanged.
Betwixt these works of bays and ivy were great spaces of
canvas, which was most cunningly painted, the clouds with
stars, the sun and sun-beams, with diverse other coats of
sundry sorts belonging to the Queen's Majesty, most richly
garnished with gold. There were of all manner of persons
working on this house to the number of three hundred seventy
Public-domain text, read in full here on John Shaqi.
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