Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
In 1620 John Cotton, John Williams, and Thomas Dixon[687] secured from
King James a license to build an amphitheatre[688] "intended
principally for martiall exercises, and extraordinary shows and
solemnities for ambassadors, and persons of honor and quality," with
the power granted to the owners to order "a cessation from other shows
and sports, for one day in a month only, upon fourteen days' warning."
[Footnote 687: Of these men nothing is known; something, however, may
be inferred from the following entries in Sir Henry Herbert's
Office-Book: "On the 20th August, 1623, a license _gratis_, to John
Williams and four others, to make _show_ of _an Elephant_, for a year;
on the 5th of September to make show of a _live Beaver_; on the 9th of
June, 1638, to make show of an outlandish creature, called a
_Possum_." (George Chalmers, _Supplemental Apology_, p. 208.)]
[Footnote 688: The place is not indicated, but it was probably outside
the city.]
But for some reason the King suddenly changed his mind, and on
September 29, 1620, he addressed a letter to the Privy Council
directing them to cancel the license:[689]
Right trusty and right well-beloved Cousins and Councellors,
and right trusty and well-beloved Councellors, we greet you
well. Whereas at the humble suit of our servants John
Cotton, John Williams, and Thomas Dixon, and in recompence
of their services, we have been pleased to license them to
build an Amphitheatre, which hath passed our Signet and is
stayed at our Privy Seal; and finding therein contained some
such words and clauses, as may, in some constructions, seem
to give them greater liberty both in point of building and
using of exercises than is any way to be permitted, or was
ever by us intended, we have thought fit to command and give
authority unto you, or any four of you, to cause that
already passed to be cancelled, and to give order unto our
Solicitor General for the drawing up of a new warrant for
our signature to the same parties, according to such
directions and reservations as herewith we send you. Wherein
we are more particular, both in the affirmative and the
negative, to the end that, as on one side we would have
nothing pass us to remain upon record which either for the
form might not become us or for the substance might cross
our many proclamations (pursued with good success) for
buildings, or, on the other side, might give them cause to
importune us after they had been at charges; to which end we
wish that you call them before you and let them know our
pleasure and resolution therein.
[Footnote 689: See _State Papers, Domestic, 1619-1623_, p. 181. I have
quoted the letter from Collier, _The History of English Dramatic
Poetry_ (1879), I, 408.]
Accordingly the license was canceled, and no new license was issued.
Public-domain text, read in full here on John Shaqi.
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