Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
Everything seems to have gone well until near the end of July, when
the company presented _The Isle of Dogs_, a satirical play written in
part by the "young Juvenal" of the age, Thomas Nashe, and in part by
certain "inferior players," chief of whom seems to have been Ben
Jonson.[256] The play apparently attacked under a thin disguise some
persons high in authority. The exact nature of the offense cannot now
be determined, but Nashe himself informs us that "the troublesome stir
which happened about it is a general rumour that hath filled all
England,"[257] and the Queen herself seems to have been greatly
angered. On July 28, 1597, the Privy Council sent a letter to the
Justices of Middlesex and of Surrey informing them that Her Majesty
"hath given direction that not only no plays shall be used within
London or about the city or in any public place during this time of
summer, but that also those playhouses that are erected and built only
for such purposes shall be plucked down." Accordingly the Council
ordered the Justices to see to it that "there be no more plays used in
any public place within three miles of the city until Allhallows
[i.e., November 1] next"; and, furthermore, to send for the owners of
the various playhouses "and enjoin them by vertue hereof forthwith to
pluck down quite the stages, galleries, and rooms that are made for
people to stand in, and so to deface the same as they may not be
employed again to such use."[258]
[Footnote 256: For an account of _The Isle of Dogs_ see E.K. Chambers,
_Modern Language Review_ (1909), IV, 407, 511; R.B. McKerrow, _The
Works of Thomas Nashe_, V, 29; and especially the important article by
Mr. Wallace in _Englische Studien_ already referred to.]
[Footnote 257: _Nashes Lenten Stuffe_ (1599), ed. McKerrow, III, 153.]
[Footnote 258: Dasent, _Acts of the Privy Council_, XXVII, 313.
Possibly the other public playhouses were suppressed along with the
Swan in response to the petition presented to the Council on July 28,
(i.e. on the same day) by the Lord Mayor and Aldermen requesting the
"final suppressing of the said stage plays, as well at the Theatre,
Curtain, and Bankside as in all other places in and about the city."
See The Malone Society's _Collections_, I, 78.]
The Council, however, did not stop with this. It ordered the arrest of
the authors of the play and also of the chief actors who took part in
its performance. Nashe saved himself by precipitate flight, but his
lodgings were searched and his private papers were turned over to the
authorities. Robert Shaw and Gabriel Spencer, as leaders of the
troupe, and Ben Jonson, as one of the "inferior players" who had a
part in writing the play,[259] were thrown into prison. The rest of
the company hurried into the country, their speed being indicated by
the fact that we find them acting in Bristol before the end of July.
Public-domain text, read in full here on John Shaqi.
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