Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethBradley, A. C. (Andrew Cecil)
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth
Bradley, A. C. (Andrew Cecil)
Shakespeare, William, 1564-1616 -- Tragedies
Evening comes. The approach of the play-scene raises Hamlet's spirits.
He is in his element. He feels that he is doing _something_ towards his
end, striking a stroke, but a stroke of intellect. In his instructions
to the actor on the delivery of the inserted speech, and again in his
conversation with Horatio just before the entry of the Court, we see the
true Hamlet, the Hamlet of the days before his father's death. But how
characteristic it is that he appears quite as anxious that his speech
should not be ranted as that Horatio should observe its effect upon the
King! This trait appears again even at that thrilling moment when the
actor is just going to deliver the speech. Hamlet sees him beginning to
frown and glare like the conventional stage-murderer, and calls to him
impatiently, 'Leave thy damnable faces and begin!'[57]
Hamlet's device proves a triumph far more complete than he had dared to
expect. He had thought the King might 'blench,' but he does much more.
When only six of the 'dozen or sixteen lines' have been spoken he starts
to his feet and rushes from the hall, followed by the whole dismayed
Court. In the elation of success--an elation at first almost
hysterical--Hamlet treats Rosencrantz and Guildenstern, who are sent to
him, with undisguised contempt. Left to himself, he declares that now he
could
drink hot blood,
And do such bitter business as the day
Would quake to look on.
He has been sent for by his mother, and is going to her chamber; and so
vehement and revengeful is his mood that he actually fancies himself in
danger of using daggers to her as well as speaking them.[58]
In this mood, on his way to his mother's chamber, he comes upon the
King, alone, kneeling, conscience-stricken and attempting to pray. His
enemy is delivered into his hands.
Now might I do it pat, now he is praying:
And now I'll do it: and so he goes to heaven:
And so am I revenged.[59] That would be scanned.
He scans it; and the sword that he drew at the words, 'And now I'll do
it,' is thrust back into its sheath. If he killed the villain now he
would send his soul to heaven; and he would fain kill soul as well as
body.
Public-domain text, read in full here on John Shaqi.
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