Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethBradley, A. C. (Andrew Cecil)
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth
Bradley, A. C. (Andrew Cecil)
Shakespeare, William, 1564-1616 -- Tragedies
Next, while the influence of the Witches' prophecies on Macbeth is very
great, it is quite clearly shown to be an influence and nothing more.
There is no sign whatever in the play that Shakespeare meant the actions
of Macbeth to be forced on him by an external power, whether that of the
Witches, or of their 'masters,' or of Hecate. It is needless therefore
to insist that such a conception would be in contradiction with his
whole tragic practice. The prophecies of the Witches are presented
simply as dangerous circumstances with which Macbeth has to deal: they
are dramatically on the same level as the story of the Ghost in
_Hamlet_, or the falsehoods told by Iago to Othello. Macbeth is, in the
ordinary sense, perfectly free in regard to them: and if we speak of
degrees of freedom, he is even more free than Hamlet, who was crippled
by melancholy when the Ghost appeared to him. That the influence of the
first prophecies upon him came as much from himself as from them, is
made abundantly clear by the obviously intentional contrast between him
and Banquo. Banquo, ambitious but perfectly honest, is scarcely even
startled by them, and he remains throughout the scene indifferent to
them. But when Macbeth heard them he was not an innocent man. Precisely
how far his mind was guilty may be a question; but no innocent man would
have started, as he did, with a start of _fear_ at the mere prophecy of
a crown, or have conceived thereupon _immediately_ the thought of
murder. Either this thought was not new to him,[206] or he had cherished
at least some vaguer dishonourable dream, the instantaneous recurrence
of which, at the moment of his hearing the prophecy, revealed to him an
inward and terrifying guilt. In either case not only was he free to
accept or resist the temptation, but the temptation was already within
him. We are admitting too much, therefore, when we compare him with
Othello, for Othello's mind was perfectly free from suspicion when his
temptation came to him. And we are admitting, again, too much when we
use the word 'temptation' in reference to the first prophecies of the
Witches. Speaking strictly we must affirm that he was tempted only by
himself. _He_ speaks indeed of their 'supernatural soliciting'; but in
fact they did not solicit. They merely announced events: they hailed him
as Thane of Glamis, Thane of Cawdor, and King hereafter. No connection
of these announcements with any action of his was even hinted by them.
For all that appears, the natural death of an old man might have
fulfilled the prophecy any day.[207] In any case, the idea of fulfilling
it by murder was entirely his own.[208]
Public-domain text, read in full here on John Shaqi.
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