Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethBradley, A. C. (Andrew Cecil)
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth
Bradley, A. C. (Andrew Cecil)
Shakespeare, William, 1564-1616 -- Tragedies
Now I at once admit not only that this view is much more attractive and
more truly tragic than the ordinary conscience theory, but that it has
more verisimilitude. But I feel no doubt that it does not answer to
Shakespeare's meaning, and I will simply mention, out of many objections
to it, three which seem to be fatal. (_a_) If it answers to
Shakespeare's meaning, why in the world did he conceal that meaning
until the last Act? The facts adduced above seem to show beyond question
that, on the hypothesis, he did so. That he did so is surely next door
to incredible. In any case, it certainly requires an explanation, and
certainly has not received one. (_b_) Let us test the theory by
reference to a single important passage, that where Hamlet finds the
King at prayer and spares him. The reason Hamlet gives himself for
sparing the King is that, if he kills him now, he will send him to
heaven, whereas he desires to send him to hell. Now, this reason may be
an unconscious excuse, but is it believable that, if the real reason had
been the stirrings of his deeper conscience, _that_ could have masked
itself in the form of a desire to send his enemy's soul to hell? Is not
the idea quite ludicrous? (_c_) The theory requires us to suppose that,
when the Ghost enjoins Hamlet to avenge the murder of his father, it is
laying on him a duty which _we_ are to understand to be no duty but the
very reverse. And is not that supposition wholly contrary to the natural
impression which we all receive in reading the play? Surely it is clear
that, whatever we in the twentieth century may think about Hamlet's
duty, we are meant in the play to assume that he _ought_ to have obeyed
the Ghost.
The conscience theory, then, in either of its forms we must reject. But
it may remind us of points worth noting. In the first place, it is
certainly true that Hamlet, in spite of some appearances to the
contrary, was, as Goethe said, of a most moral nature, and had a great
anxiety to do right. In this anxiety he resembles Brutus, and it is
stronger in him than in any of the later heroes. And, secondly, it is
highly probable that in his interminable broodings the kind of paralysis
with which he was stricken masked itself in the shape of conscientious
scruples as well as in many other shapes. And, finally, in his shrinking
from the deed there was probably, together with much else, something
which may be called a moral, though not a conscientious, repulsion: I
mean a repugnance to the idea of falling suddenly on a man who could not
defend himself. This, so far as we can see, was the only plan that
Hamlet ever contemplated. There is no positive evidence in the play that
he regarded it with the aversion that any brave and honourable man, one
must suppose, would feel for it; but, as Hamlet certainly was brave and
honourable, we may presume that he did so.
Public-domain text, read in full here on John Shaqi.
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