Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
beautie of rooms, service at the table, costlinesse of plate, strength
of drinke, varietie of wines, or well using of horsses. Finallie
there is not so much omitted among them as the gorgeousnes of their
verie signes at their doores, wherein some doo consume thirtie or
fortie pounds, a meere vanitie in mine opinion, but so vaine will they
needs be, and that not onelie to give some outward token of the inne
keeper's welth, but also to procure good ghests to the frequenting of
their houses, in hope there to be well used."[218:A]
"As soone as a passenger comes to an inne," remarks Moryson, "the
servants run to him, and one takes his horse and walkes him till he be
cold, then rubs him down, and gives him meat. Another servant gives
the passenger his private chamber, and kindles his fire; the third
pulls off his bootes and makes them cleane; then the host or hostess
visits him; and if he will eate with the hoste, or at a common table
with others, his meale will cost him sixpence, or in some places but
four-pence; but if he will eate in his chamber he commands what meate
he will according to his appetite; yea the kitchin is open to him to
order the meate to be dressed as he likes beste. After having eaten
what he pleases, he may, with credit, set by a part for the next day's
breakfast. His bill will then be written for him, and, should he object
to any charge, the host is ready to alter it."[218:B]
Taverns and ale-houses were frequently distinguished in Shakspeare's
time by a _bush or tuft of ivy_ at their doors; a custom which more
particularly prevailed in Warwickshire, and is still practised,
remarks Mr. Ritson, in this county "at statute-hirings, wakes, &c.
by people who sell ale at no other time."[218:C] The poet alludes
to this observance in his Epilogue to _As You Like It_:—"If it be
true," he says, "that _Good wine needs no bush_, 'tis true, that
a good play needs no epilogue: _Yet to good wine they do use good
bushes_."[218:D] Several old plays mention the same custom, and Bishop
Earle, in his _Microcosmography_, tells us that "A Tavern is a degree,
or (if you will) a pair of stairs above an ale-house, where men are
drunk with more credit and apology. If the vintner's rose be at door,
it is a sign sufficient, but the absence of this is supplied by the
_ivy-bush_."[218:E]
Public-domain text, read in full here on John Shaqi.
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