Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
But, independent of these numerous occasional residences of the fairy
tribe, a firm belief in the existence of a fixed court, or _Elf-land_
peculiarly so denominated, as the centre of their empire and the abode
of their Queen, was so prevalent in Scotland, during the sixteenth
century, as to have been acted upon in a court of justice. A woman
named _Alison Pearson_ having been convicted, on the 28th of May, 1586,
of holding intercourse with and visiting the Queen of Elf-land; "for
hanting and repairing," says the indictment, "with the gude neighbours,
and Queene of Elfland, thir divers years by past, as she had confest;
and that she had friends in that court, which were of her own blude,
who had gude acquaintance of the Queene of Elfland,—and that she was
seven years ill handled in the Court of Elfland[319:A]," and for this
notable crime was the poor creature burnt to death!
When such was the credulity of a bench of judges, we need not wonder
that Fairy Land had become a professed article of the poetical creed,
and that Lindsay in 1560, and Montgomery in 1584, should allude to it
as a subject of admitted notoriety: thus the former, in his _Complaynt
of the Papingo_, says
"Bot sen my spreit mon from my bodye go,
I recommend it to the Quene of Fary,
Eternally into her court to tarry
In wilderness amang the holtis hair;"[319:B]
and the latter, in his _Flyting against Polwart_, speaking of
Hallow'een, tells us, that
"The king of Pharie and his court, with the elf queen,
With many elfish incubus was ridand that night."[319:C]
According to the _Tale of the Young Tamlane_, a poem in its original
state coeval with the _Complaynt of Scotland_, and on the authority
of the _Ballad of Thomas the Rhymer_, said also to be of considerable
antiquity[319:D], Elf-land is represented as a terrestrial paradise,
the opening of the road to which was in the desert
"Where living land was left behind;"
it is described as a "bonny road" "that winds about the fernie brae,"
but the roaring of the sea is heard in the descent, and at length the
traveller wades knee-deep through rivers of blood,
"For a' the blude that's shed on earth,
Rins thro' the springs o' that countrie;"[320:A]
yet, when arrived, the land is full of pleasantness, a garden of the
loveliest green, self-illumined, and whose halls have roofs of beaten
gold, and floors of purest chrystal.[320:B]
In conformity to these Scottish traditionary features of Fairy-land,
and in reference to the popular tale of Thomas the Rhymer, who, daring
to salute the Fairy Queen, was carried off in early life to this region
of enchantment, and there broke the vow of silence enjoined on all who
entered its precincts[320:C], Dr. Leyden has executed the following
glowing picture:—
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