_"Yet I will try the last; before my body I throw my warlike shield; lay on Macduff, And damned be him that first cries, Hold, enough!"_ A whirlwind of applause echoed through the royal halls at the conclusion of the great Scotch historical drama, and Shakspere was loudly called before the footlights, making a general bow to the audience, and paying deep, low courtesy to the King, who beckoned him to the throne chair, and placed about his neck a heavy golden chain with a miniature of His Majesty attached. William was glorified. _"Murder, though it have no tongue, will speak With most miraculous organ!"_ CHAPTER XVIII. SHAKSPERE AS MONOLOGIST. KING JAMES. _"He lives in fame that died in virtue's cause."_ _"The king-becoming graces Are justice, verity, temperance, stableness, Bounty, perseverance, mercy, lowliness, Devotion, patience, courage, fortitude."_ Shakspere became a prime favorite of King James, and occasionally he entertained the Bard at Whitehall Palace, introducing him to the bishops, cardinals and lords, who were interested in the revision of the Bible. They were astonished at the detailed knowledge of Shakspere, touching the "Word of God;" and when he entered into a dissertation of the Hebrew, Greek and Latin philosophers and "divines" who concocted the history of the ancients, they marveled at his native erudition. These modern preachers had been educated and empurpled in the classical ruts of ancient superstitious divinity, while William communed with immediate nature, and taught lessons of virtue and vice on the dramatic stage that impresses the rushing world, far more than dictatorial dogmas or pulpit platitudes. Shakspere was a constant searcher of all religious bibles, and particularly pondered on the Christian story of the creation, prophecies, crucifixion and revelation. Paganism was the advanced guard of Christianity! Monks, priests, preachers, bishops, cardinals, popes, princes, kings, emperors and czars had exercised their minds and hands as commentators on the old philosophy of an unknown God; and William saw no reason why he should not extract from or paraphrase the best logical phrases and sentences of the Bible. His sonnets and plays are filled with the hidden meaning of the scriptures, and those who read closely and delve deeply into the works of the Bard of Avon will need no better moral teacher. His axioms and epigrams are used to-day as the proverbial philosophy of practical life, and the whole world is indebted to the sons of a carpenter and a butcher for the greatest pleasure and philosophy that has ever been enunciated on the globe! The years 1611, 1612 and 1613 found William at the pinnacle of his dramatic glory, and like a ripe philosopher he finished his most thoughtful plays, "Timon of Athens," "A Winter's Tale," "Antony and Cleopatra," "Pericles," "Cymbeline," "Henry the Eighth," and his cap sheaf in the grain field of thought, "The Tempest."