They came back to the carriage. During the drive Irgens held all Aagot's
bundles in his arms. He did not move and was not in the least insistent.
She was really touched by his tactful behaviour, and when he finally asked
her to stay another day she consented.
But when the carriage had to be paid for he searched his pockets in vain;
at last he had to ask her to pay the driver herself. She was pleased to be
able to do that; she only wished she had thought of it at once. He had
looked quite crestfallen.
They met each other early the next day. They walked along the docks,
talking together in low voices, trembling with suppressed feeling. Their
eyes were full of caresses; they walked close to each other. When,
finally, Irgens caught sight of Coldevin standing half hidden behind a
corner, he did not mention his discovery with a single syllable in order
not to distress her. He said simply:
"What a pity you and I are not ordinary working people now! We seem to
attract attention; people are for ever staring at us. It would be
preferable to be less prominent."
They spoke about seeing each other at the Grand in the evening. It was
quite a while since she had been there; she had really had few pleasures
of late. Suddenly he said:
"Come and go up to my place. There we can sit and talk in peace and
quiet."
"But would that do?"
Why not? In broad daylight? There was absolutely no reason why she
shouldn't. And he would always, always have the memory of her visit to
treasure.
And she went with him, timid, fearful, but happy.
FINALE
I
Milde and Gregersen walked down the street together. They talked about
Milde's portrait of Paulsberg which had been bought by the National
Galleries; about the Actor Norem, who, together with a comrade, had been
found drunk in a gutter and had been arrested; about Mrs. Hanka, who was
said at last to have left her husband. Was anything else to be expected?
Hadn't she endured it for four long years down in that shop? They asked
each other for her address; they wanted to congratulate her; she must know
that they fully sympathised with her. But none of them knew her address.
They were deeply interested in the situation. It had come to this that
Parliament had been dissolved without having said the deciding word,
without having said anything, in fact. The _Gazette_ had advised
against radical action at the last moment. The paper had talked about the
seriousness of assuming responsibilities, about the unwisdom of a
straightforward challenge.
"What the devil can we do--with our army and navy?" said Gregersen with
deep conviction. "We shall simply have to wait."
They went into the Grand. Ojen was there with his two close-cropped poets.
He was speaking about his latest prose poems: "A Sleeping City,"
"Poppies," "The Tower of Babel." Imagine the Tower of Babel--its
architecture! And with a nervous gesture he drew a spiral in the air.
Public-domain text, read in full here on John Shaqi.
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