"Don't go!" he called. "You have never been out of my thoughts, either. As
far as that goes, I am as much to blame as you, and it is true that I have
changed. I am, perhaps, a little different now. But here is your room just
as before. Come and see! We haven't touched a single thing. And if you
would stay--By the way, I am afraid I shall have to stay in the office
all night. I am almost sure there is a lot of mail to attend to. But your
room is just as when you left it. Come and see!"
He had opened the door. She came over and peeped in. The lamp was lit. She
looked at everything and entered. He really wanted to, after all, after
all! She could stay; he had said so; he took her back! She stood there
timidly and said nothing; then their eyes met. He flung his arms around
her and kissed her, as he had kissed her the first time, all these many
years ago. Her eyes closed and he felt suddenly the pressure of her arms
around his neck.
X
And morning came.
The city woke up and the hammers danced their ringing dance along the
shipyards. Through the streets the farmers' wagons rolled in a slow
procession. It is the same story. The squares are filling with people and
supplies, stores are opened, the roar increases, and up and down the
stairs skips a slip of a girl with her papers and her dog.
It is the same story.
It is twelve before people begin to group themselves on the "corner,"
young and carefree gentlemen who can afford to sleep late and do what they
feel like. There are a few from the well-known clique, Milde and Norem and
Ojen. It is cold, and they are shivering. The conversation is not very
lively. Even when Irgens appears, in high spirits and elegant attire, as
befits the best-dressed man in town, nobody grows very enthusiastic. It is
too early and too chilly; in a few hours it will be different. Ojen had
said something about his latest prose poem; he had half-finished it last
night. It was called "A Sleeping City." He had begun to write on coloured
paper; he had found this very soothing. Imagine, he says, the heavy,
ponderous quiet over a city asleep; only its breathing is heard like an
open sluice miles away. It takes time; hours elapse, a seeming eternity;
then the brute begins to stir, to wake up. Wasn't this rather promising?
And Milde thinks it very promising; he has made his peace with Ojen long
ago. Milde is busy on his caricatures to "Norway's Dawn." He had really
drawn a few very funny caricatures and made ruinous fun of the impossible
poem.
Norem said nothing.
Suddenly Lars Paulsberg bobs up; with him is Gregersen. The group is
growing; everybody takes notice; so much is gathered here in a very small
space. Literature is in the ascendant; literature dominates the entire
sidewalk. People turn back in order to get a good look at these six
gentlemen in ulsters and great-coats. Milde also attracts attention; he
has been able to afford an entirely new outfit. He says nothing about
Australia now.
Public-domain text, read in full here on John Shaqi.
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