French fiction -- 19th century; Sand, George, 1804-1876
Thérèse soon began to feel that the affection of her _poor child_, as
he still called himself, was very pleasant to her, and that, if it could
continue as it was, it would be the best and purest sentiment of his
life.
She encouraged him by motherly replies to persevere in the path of toil
to which he said that he had returned forever. Her letters were sweet,
resigned, and breathed a chaste affection; but Laurent soon detected a
strain of mortal sadness in them. Thérèse admitted that she was
slightly ill, and she sometimes had thoughts of death at which she
laughed with heart-rending melancholy. She was really ill. Without love
and without work, _ennui_ was consuming her. She had carried with her a
small sum of money, which was all that remained of what she had earned
at Genoa, and she used it with the strictest economy, in order to remain
in the country as long as possible. She had conceived a horror of Paris.
And then it is possible that there had gradually stolen over her a
longing and at the same time a sort of dread to see Laurent once more,
changed, resigned, and improved in every way, as his letters showed him
to be.
She hoped that he would marry; as he had once had an inclination in that
direction, that excellent plan might occur to him again. She encouraged
him to do it. He said sometimes _yes_ and sometimes _no_. Thérèse
constantly anticipated that some trace of the old love would appear in
Laurent's letters: it did crop out a little now and then, but always
with exquisite delicacy; and the prevailing characteristic of these
veiled references to ill-disguised sentiment was a delightful
tenderness, an effusive sensibility, a sort of ardent filial devotion.
When the winter arrived, Thérèse, finding that she had come to the end
of her resources, was obliged to return to Paris, where her patrons were
and her duties to herself. She concealed her return from Laurent,
preferring not to see him again too soon; but, impelled by some
mysterious power of divination, he passed through the unfrequented
street on which the little house stood. He saw that the shutters were
down, and he went in, drunk with joy. It was an ingenuous, almost
child-like joy, which would have made a suspicious, reserved attitude
utterly ridiculous and prudish. He left Thérèse to dine alone, begging
her to come in the evening to his studio, to see a picture which he had
just finished and upon which he was absolutely determined to have her
opinion before sending it away. It was sold and paid for; but, if she
had any criticism to make upon it, he would work at it a few days more.
The deplorable days had passed when Thérèse "was no connoisseur, when
she had the narrow, realistic judgment peculiar to portrait-painters,
when she was incapable of comprehending a work of the imagination," etc.
Now she was "his muse and his inspiration. Without the aid of her divine
breath, he could do nothing. With her advice and encouragement, his
talent would fulfil all its promises."
Public-domain text, read in full here on John Shaqi.
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