Thérèse was at once miserable and sublime in that hell into which she had plunged the second time, closing her eyes and sacrificing her life. She carried devotion to the point of acts of self-immolation which made her friends shudder, and which sometimes brought upon her the blame, almost the scorn, of certain proud and virtuous people who did not know what it is to love. Moreover, this love of Thérèse for Laurent was incomprehensible to herself. She was not drawn on by her passions, for Laurent, besmirched by the debauchery into which he plunged anew to kill a love which he could not destroy by his will, had become a more disgusting object than a dead body to her. She no longer had any caresses for him, and he no longer dared ask her for them. She was no longer vanquished and swayed by the charm of his eloquence and the child-like grace of his penitence. She could no longer believe in the morrow; and the superb outbursts of emotion, which had reconciled them so many times, were no longer anything more in her eyes than alarming symptoms of storm and shipwreck. What attached her to him was that all-embracing compassion which one inevitably acquires as a habit toward those to whom one has forgiven much. Pardon seems to engender pardon even to satiety, to foolish weakness. When a mother has said to herself that her child is incorrigible, and that he must either die or kill some one, there is nothing left for her to do except to abandon him or to accept him as he is. Thérèse had been mistaken every time that she had thought to cure Laurent by abandoning him. It is very true that he seemed to improve at such times, but only because he hoped to obtain his pardon. When he ceased to hope, he plunged recklessly into dissipation and idleness. Then she returned to rescue him, and succeeded in making him work for a few days. But how dearly she had to pay for the little good she succeeded in doing him! When he became disgusted once more with a regular life, he could not find enough invectives with which to reproach her for trying to make of him "what her patron saint Thérèse Levasseur had made of Jean-Jacques," that is to say, according to him, "an idiot and a maniac." And yet there was in this pity, which he implored so fervently only to insult it as soon as she had given it back to him, an enthusiastic, perhaps a slightly fanatical respect for his genius as an artist. That woman, whom he accused of being commonplace and lacking in intelligence, when he saw her working for his well-being with simple-hearted perseverance, was superbly artistic, in her love at least, since she accepted Laurent's tyranny as a matter of divine right, and sacrificed to him her own pride, her own labor, and what another less self-sacrificing than she might have called her own glory.