French fiction -- 19th century; Sand, George, 1804-1876
She had never attended one of those functions. The mask was stifling,
intolerable to her. She had never tried to disguise her voice, yet she
did not wish that her identity should be divined by any one. She glided
silently through the corridors, seeking the deserted corners when she
was tired of walking, but going on if any one was coming toward her,
always pretending to have a definite goal, and succeeding better than
she had hoped in remaining alone and unmolested in that hustling crowd.
It was the time when there was no dancing at the Opera ball, and when
the only disguise admitted was the black domino. There was therefore a
multitude, sombre and solemn in appearance, but probably intent for the
most part upon intrigues as immoral as the bacchanalian revels of other
functions of the sort, but of a most imposing aspect when seen as a
whole from above. And at intervals a blaring orchestra would suddenly
begin to play a frantic quadrille, as if the management, at odds with
the police, wished to induce the public to disregard the prohibition;
but no one seemed to think of such a thing. The black swarm continued to
move slowly and whisper amid the uproar, which ended with a pistol-shot,
a strange, fantastic finale, which seemed powerless to dispel the vision
of that dismal festival.
For some moments Thérèse was so impressed by the spectacle that she
forgot where she was, and fancied herself in the world of depressing
dreams. She looked for Laurent, and did not find him.
She ventured into the _foyer_, where the best-known men in Paris were
gathered, without masks or other disguises, and, having made the circuit
of the room, she was about to retire, when she heard her name mentioned
in a corner. She turned and saw the man she had loved so well, seated
between two masked damsels, whose voices and accent had that indefinable
combination of limpness and sharpness which betrays exhaustion of the
senses and bitterness of spirit.
"Well," said one of them, "so you have abandoned your famous Thérèse
at last? It seems that she deceived you in Italy, and that you would not
believe it."
"He began to suspect it," rejoined the other, "on the day that he
succeeded in driving out his fortunate rival."
Thérèse was mortally wounded to see the painful romance of her life
laid open to such interpretations, and even more to see Laurent smile,
tell those creatures that they did not know what they were saying, and
change the subject, with no trace of indignation and apparently without
noticing or being disturbed by what he heard. Thérèse would never have
believed that he was not even her friend. Now she was sure of it! She
remained, and continued to listen; her mask was glued to her face by a
cold perspiration.
Public-domain text, read in full here on John Shaqi.
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