French fiction -- 19th century; Sand, George, 1804-1876
Although he was not a very enlightened student of art, his judgment was
reasonably reliable, and on all subjects his ideas were as healthy as
his instincts. His French showed the effect of his timidity, to such a
degree that it was almost unintelligible and absurdly incorrect at the
beginning of a conversation; but when he felt at ease, one could see
that he knew the language, and that all he lacked was longer practice or
greater confidence to speak it very well.
Laurent had studied him with much curiosity and perturbation at the
outset. When it was proved by affirmative evidence that he was not
Mademoiselle Jacques's lover, he estimated his character more fairly,
and conceived a sort of friendship for him which resembled, albeit at a
long distance, his sentiment for Thérèse. Palmer was a tolerant
philosopher, strict enough in his dealings with himself and very
charitable to others. In his ideas, if not in his character, he
resembled Thérèse, and he was almost always in accord with her on all
points. Now and then Laurent still felt jealous of what he called, in
musical parlance, their imperturbable _unison_; and, as it was simply an
intellectual jealousy, he ventured to complain of it to Thérèse.
"Your definition amounts to nothing," she said. "Palmer is too placid
and too perfect for me. I have a little more fire, and I sing a little
louder than he does. Compared with him, I am the high note in the major
third."
"In that case, I am only a false note," said Laurent.
"No," said Thérèse, "with you I am modified and go down the scale to
form the minor third."
"Then with me you descend half a tone?"
"And I am half an interval nearer to you than to Palmer."
III
One day, at Palmer's request, Laurent went to the Hôtel Meurice, where
the American lived, to see that the portrait was suitably framed and
packed. The lid was nailed on in their presence, and Palmer himself
wrote his mother's name and address thereon with a brush; then, as the
porters carried the box away to dispatch it on its long journey, Palmer
grasped the artist's hand, and said:
"I owe it to you that my dear mother is soon to have a very great
pleasure, and I thank you again. Now will you allow me to talk with you
a few moments? I have something to say to you."
They went into a salon where Laurent saw several trunks.
"I start to-morrow for Italy," said the American, offering him some
excellent cigars and a taper, although he did not smoke himself; "and I
do not choose to part with you without a few words touching a delicate
matter, so delicate that, if you interrupt me, I shall not be able to
find the proper French words for what I want to say."
"I swear that I will be as mute as the tomb," said Laurent, with a
smile, surprised and considerably disturbed by this preamble.
Public-domain text, read in full here on John Shaqi.
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