French fiction -- 19th century; Sand, George, 1804-1876
"Passions! I?" she said to herself. "In Heaven's name, does he think
that I don't know what passion is, and that I want any more of that
poisoned draught? What have I done to him, I who have given him so much
affection and thought, that he should propose to me, by way of thanks,
despair, madness, and death?--After all," she thought, "it is not his
fault, poor creature! He doesn't know what he wants, nor what he asks
for. He seeks love like the philosopher's stone, in which one strives
all the more earnestly to believe because he cannot grasp it. He thinks
that I have it, and that I amuse myself by refusing to give it to him!
There is always a touch of frenzy in whatever he thinks. How can I
appease him, and turn him aside from a fancy that is rapidly making him
unhappy?
"It is my fault; he has some right to say so. While trying to wean him
from debauchery, I familiarized him too much with a virtuous attachment;
but he is a man, and he deems our affection incomplete. Why did he
deceive me? why did he make me believe that he was tranquil when he was
with me? What shall I do to repair the idiocy of my inexperience? I have
not been enough of a woman in the matter of presumption. I did not know
that a woman, however lukewarm and weary of life she may be, can still
disturb a man's brain. I ought to have believed that I was fascinating
and dangerous, as he once told me, and to have guessed that he afterward
contradicted himself on that point only to quiet my fears. So it is a
misfortune, then,--for it certainly cannot be a sin,--not to have the
instinct of coquetry?"
Thereupon, Thérèse, searching her memory, remembered that she had
instinctively been reserved and distrustful to defend herself from the
desires of other men who were not attractive to her; with Laurent she
felt no such instinct, because she esteemed him in his friendship for
her, because she could not believe that he would seek to deceive her,
and also, it must be admitted, because she cared more for him than for
any other. Alone in her studio, she paced the floor, oppressed by a
painful sense of discomfort, sometimes glancing at the fatal letter
which she had placed on a table as if she knew not what to do with it
and could neither decide to read it again nor to destroy it, and
sometimes looking at her unfinished work on the easel. She was working
with enthusiasm and pleasure when they brought her that letter, that is
to say, that doubt, that anxiety, that amazement, and that dread. It was
like a mirage which caused all the spectres of her former miseries to
reappear upon her unclouded, peaceful horizon. Every word written on
that paper was like a hymn of death which she had heard in the past, a
prophecy of fresh misfortunes to come.
Public-domain text, read in full here on John Shaqi.
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