French fiction -- 19th century; Sand, George, 1804-1876
Nothing is so perilous as those intimacies in which the parties have
exchanged a promise not to attack each other, when neither of the two
inspires a secret physical repulsion in the other. Artists, because of
their independent life and the nature of their occupations, which oblige
them often to depart from social conventions, are more exposed to these
perils than they who live by rule and whose imaginations are less
active. We should forgive them, therefore, for more sudden impressions
and more feverish impulses. Public opinion realizes this duty, for it is
generally more indulgent to those who go astray, perforce, in the
tempest than those whose lives are passed in a flat calm. And then the
world demands from artists the fire of inspiration, and that fire, which
overflows for the enjoyment and enthusiasm of the public, must
inevitably consume themselves in time. Then we pity them; and the honest
bourgeois, returning to his family at night, after learning of their
misfortunes and downfall, says to his excellent and gentle helpmeet:
"You remember that poor girl who sang so well? she is dead of a broken
heart. And that famous poet who wrote such fine verses has killed
himself. It's a great pity, wife. All those people end badly. We, the
simple creatures, are the happy ones."
And the honest bourgeois is right.
Thérèse had lived a long while, however, if not as an honest
bourgeois,--for one must have a family for that, and God had denied her
a family,--at all events as a hard-working young woman, working from
early morning, and not regaling herself with pleasure or sloth at the
end of her day's work. She constantly aspired to the joys of a regular,
domestic life; she loved order, and, far from displaying the childish
contempt which certain artists lavished upon what they called, in those
days, the grocer class, she bitterly regretted that she had not married
in that safe and modest social circle where she would have found
affection and security instead of talent and renown. But we do not
choose our own destinies, for fools and ambitious mortals are not the
only imprudent wights whom destiny overwhelms.
V
Thérèse had no weakness for Laurent in the ironical, libertine sense
in which that word is commonly used in love. It was by an effort of her
will that she said to him, after many nights of painful meditation:
Public-domain text, read in full here on John Shaqi.
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