She and I, Volume 1: A Love Story. A Life History.Hutcheson, John C. (John Conroy)
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She and I, Volume 1: A Love Story. A Life History.
Hutcheson, John C. (John Conroy)
Love stories
"`O! Limerick is be-yewtifool, as iveryba-ady knows,
And round about the city walls the reever Shannon flows;
But 'tis not the reever, nor the feesh, that preys upon my mind,
Nor, with the town of Limerick have I any fault to find!'"
"Ah! Very nice indeed! Thank you, Lady Dasher, thank you!" said the
vicar, when she had got thus far, and succeeded in arresting the
progress of her ladyship's melody; otherwise, she might have gone on the
live-long summer day with the halting ditty, for it consisted, as she
subsequently told us, of no less than five-and-forty verses, all in the
same pleasant strain!
"I don't think," said I, to change the conversation, "that poetry is
nearly as highly regarded in the present day, as it was some forty years
back or so--if one may judge by the biographies of literary men of that
time."
"But, it sells more readily," said Mr Mawley; "not only do fresh
debutantes appear, but new editions of the old poets come out daily."
"That may be," said I. "But they are not nearly so highly appreciated.
I suppose it is because poetry is not so much a rarity now. We have so
many mediocre poets, that our taste is more exigent. I dare say, if a
very bright, particular star should arise, we would honour him; but we
have no bright particular star; and, thus, we learn to read poetry
without reflection. Forty years ago, people used to talk over the last
production of the muse, and canvas its merits in coffee-rooms all over
the town; now, we only dash through it, as we would take up the last new
novel, or the evening paper, thinking no more about it!"
"When I was younger," said Miss Spight--she didn't say when she was
"young," mark you--"no young gentlewoman's education would have been
thought complete without a course of the best poets, such as Milton's
_Paradise Lost_."
"Which nine out of ten of the people who speak about it now, never
read," said I--and, Miss Spight did not reply.
"What queer people poets are, generally speaking," said Mr Mawley.
"Do you think so?" said I.
"Yes, I do," he replied. "I would divide poets into three great
classes, which I would call respectively the enthusiastic school, the
water-cart school, and the horse-going-round-in-the-mill school."
"O-oh, Mr Mawley!" exclaimed Bessie Dasher, in the unmeaning manner
common to young ladies, in lieu of saying anything, when they have got
nothing to say: the exclamation expressing either astonishment, horror,
alarm, or rebuke, as the case may require.
"Instance, instance! Name, name!" said I, keeping the curate up to the
mark.
"Well, I will give you Horner, and Dante, Goethe, Byron, and, perhaps,
Tennyson, from which to take your choice amongst those whom I call the
enthusiastic school; Mrs Hemans, and others of her tearful race, in the
second; and, in the third order, the majority of those who have spoilt
good ink and paper, from Dryden down to Martin F Tupper."
"What, no exceptions; not even my favourite Longfellow?" asked Min.
Public-domain text, read in full here on John Shaqi.
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